It has been my experience that $400 or thereabouts is about the least one can pay for a pair of speakers with the expectation of audiophile-calibre sound.

We received the following press release on May 7—Ed.

---

Mauro Grange, CEO of Fine Sounds SpA, and Charlie Randall, longtime President of McIntosh Laboratory, Inc., have announced their plans for a management buyout of Fine Sounds Group in partnership with LBO France and Yarpa. The acquisition will facilitate greater opportunities for global collaborations amongst the product development, marketing, distribution and finance teams of each of the Group's portfolio of brands, which includes Sonus Faber, Audio Research Corporation, Wadia Digital, Sumiko and McIntosh.

Anyone who thinks the ultra-chic New York progressive music scene lacks a sense of humor hasn't heard Laurie Anderson. Her last album, Mister Heartbreak, proved to be the most listenable and entertaining example of the genre on years. It also provided a sound quality that put most "audiophile" discs to shame.

I'm sure that the larger manufacturers were displaying new audio/video receivers and preamplifier-processors at the Las Vegas Convention Center last January, during the 2014 Consumer Electronics Show—but except for dinner, I didn't get out of the Mirage, where I slept, or the Venetian Tower Suites, where the high-end audio displays were concentrated. Still, there were new developments to report; see Stereophile's almost live on-line coverage.

Making a recording is always a personal journey—everyone has a story to tell. Jazz violinist Regina Carter's latest, Southern Comfort, is an eloquent musical expression of Carter tracing the roots of her paternal lineage back five generations. For the project's sound engineer, Joe Ferla, it's the final project of a engineering career, and the beginning point of his new life as a practicing musician. The entwining of these journeys gives the album's music and sound a rare honesty.