They were still playing with name ideas when I spotted the prototype media server, here shown from behind with the top off. MSB says there will be up to 3TB of storage inside (which is expandable with external NAS drives) along with an "industrial-grade" CPU with 7 year guarantee. Also included is the company's legendary Femto clock, and MSB Pro I2S output. Control will be via web browser and the server should be available in around 6 months for approx $29k.

MSB is now shipping new casework for both the UMT ($6,995) and Diamond DAC V ($29,995), which I think better reflect the company's dedication to digital audio perfection. The DAC is shown above and the UMT below.

Unfortunately The Beast was not in their room when I visited MSB, and only showed up later, so I asked MSB's Vince Galbo to send me some photos. MSB is the North American distributor for the Swiss-built The Beast.

Lumin started shipping their flagship S1 this year and displayed it in both silver and black in their room. In the photo above is the silver S1 along with two L1 Music Library UPnP 2 TB servers below.

Constellation creates some of the most innovative casework at CES, and the Cygnus is no exception. First shown at CES a couple years back, the product will soon be shipping in two form factors: standalone DAC ($27k) and a DAC/Server ($32k) configuration (shown above).

Black shiny products are tough to photograph at shows, so trust me when I say the new N31 is dripping with gorgeousness not reflected in this photo.

Priced at $18k and available this May, the N31 will process both 24/192 PCM and DSD sources (including iPods/iPads/iPhones). MBL's Juergen Reis showed me a screen shot of an iPhone playing a 24/192 file in the the USB 2 input of the N31, using iTunes USB storage feature.

For the second consecutive year, Hi-Res Audio made a major statement on the main floor of the Venetian Hotel via a large Ballroom exhibit and star-studded panels. I took in "Meet the Hi-Res Music Creators." Moderated by recording engineer Maureen Droney (pictured fourth, going left to right), Senior Executive Director of the Producers & Engineers wing of The Recording Academy (the Grammy people), the panel consisted of four major engineers who record multiple genres in hi-res.

Meetings were frequently in progress when I glanced at the HDTracks booth in the Hi-Res Audio Workshop ballroom. Every time I take a look at the company's site, it's loaded with new releases from everyone from The Who and Eric Clapton to Anna Netrebko and a host of Grammy 2015 nominees. It was great to see David Chesky again, even though he kept mistaking me for tenor Jonas Kaufmann. I should be so lucky.

Marc Sheforgen (left) and Chad Kassem (right) of Acoustic Sounds' Super HiRez DSD download site spilled the beans that in a few weeks, the world's first live-to-DSD hi-rez recordings of "a handful of" blues artists will become available as both stereo and multi-channel downloads. Recorded in the company's Blue Heaven recording studio/concert venue, a converted church in Salina, KS, these may be the first unedited live DSD recordings ever issued.

Hi-rez pioneer/evangelist/recording engineer Mark Waldrep of AIX Records held forth in the Hi-Res Audio Showroom in the Venetian Hotel, near booths from Super HiRez and HDTracks. AIX Records' 2015 sampler, containing three different mixes of 70 tracks drawn from its rich catalog, is due sometime in February.