I've Heard the Future of Streaming: Meridian's MQA
Dec 21, 2014
Meridian's Bob Stuart at the Manhattan launch, showing the law of diminishing returns regarding increasing the sample rate of PCM encoding.
In almost 40 years of attending audio press events, only rarely have I come away feeling that I was present at the birth of a new world. In March 1979, I visited the Philips Research Center in Eindhoven, Holland and heard a prototype of what was to be later called the Compact Disc. In the summer of 1982, I visited Ron Genereux and Bob Berkovitz at Acoustic Research's lab near Boston and heard a very early example of the application of DSP to the correction of room acoustic problems. And in early December, at Meridian's New York offices, I heard Bob Stuart describe the UK company's MQA technology, followed by a demonstration that blew my socks off.
With so few "major record labels" left standing, the music-loving audiophile stands alert for new ventureindies by the measure of indiesthat offer very good music, excellent sound, and (is it too much to ask?) the occasional slab of vinyl. As first reported by Robert Baird in Stereophile's August 2014 issue, there is another worthy prospect worth celebrating: Smoke Sessions Records, the creation of Paul Stache, proprietor of Smoke Jazz Club on upper Broadway in NYC, where most of his discs are recorded live, with Stache himself at the controls.
This story originally appeared at InnerFidelity.com
Something has to go really right, really soon, or Koss may go the way of Blockbuster, Kodak, or Sears. Change, get relevant, or die. At this point I think Koss really needs to focus on what they have always done well: Make good performing, low-cost headphones.
The good news is that with the new SP330, they've done just that.
We kick off the New Year with the "Loudspeaker issue" there are seven models reviewed at all price levels, from Vienna Acoustics, Sjöfn, Monitor Audio, Wharfedale, DeVore Fidelity, Revel, and KEF, a review of an affordable subwoofer from SVS, and an interview with veteran speaker designer Michael Kelly of Aerial Acoustics.