Verdant Audio's Scott Bierfelt and Linn business development manager Rachel Mackenzie presented a fine-sounding room comprised of Linn components.

Benny Audio's Tomasz Franielczyk and Supreme Acoustic Systems's Hiram Toro were on hand to present one of my favorite rooms of T.H.E. Show. SAS's room 219 was also no slouch.

Sharp lines and sculptural forms defined Room 219, presented by Supreme Acoustic Systems, calming my frantic mind immediately upon arrival. Soulnote's Yhusuke Iwashashi and Hideki Kato were perfect hosts, settling my reporter's brain with placid expressions.

Robert Lighton's custom rig included his prototype turntable with a rosewood armboard and customized 10" Audio Note tonearm with a Miyajima Madake MC cartridge. An Audio Note S9 step-up transformer ($28,000) and M9 phono preamp ($185,000) did the analog business. An Audio Note CD 4.1x ($16,000) made music from shiny silver discs.

Succasunna, New Jersey's Orchard Audio didn't come to play. Joined by Kimber Kable and Soundfield Audio, Orchard got down to business, but quick. "We are an audio company that provides an immersive listening experience by offering top-quality DACs, streamers, and amplifiers," its website states.

"New Life Audio—Good For The Soul" adorned the entrance to Queens, New York, dealer New Life Audio Solutions's room. Owner Shawn Mathew's smiling countenance and gentle personality made me feel welcome.

As the Spin Doctor, I tend to lead an analog life. I'm not just talking about my preferred ways of listening to music, but also my approach to other everyday technology. For decades, there has been a push to turn everything we use into a connected, "smart" device. We now have technology that allows us to change the color temperature of the lights in our living room while we sit on the sofa, or to answer our front doorbell from the other side of the world. I prefer an older-school approach.

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

In Robin D.G. Kelley's definitive, 450-page biography of Thelonious Monk, Monk and tenor saxophonist Charlie Rouse first meet on p.100, in 1944. Their next encounter comes 91 pages (11 years) later, when Rouse is working with Monk at the Music Barn concert series in the Berkshires.

Aaron Sherrick of Harrisburg, Pennsylvania’s Now Listen Here is an old hand at making show systems sing. He pulled off his magic trick in Jersey as he has at shows far and wide, as well as inside his Harrisburg storefront.