The 12th annual Music Matters event, held at Definitive Audio's Seattle location on March 9, featured six complete systems plus an Auralic-driven headphone display and static Rega turntable corner. All but the silent display showcased recorded music in its finest light. By the end of the evening, it was clear why Music Matters has earned a reputation as the top retailer-sponsored audio event in the USA.

Sun Ra recordings take time to absorb through the ears, heart, and brain. The emotional osmosis necessary to process his multi-faceted explorations, which most often fall under the heading of jazz, but are really a music unto itself, can take a while. Hence, after much listening to Modern Harmonic's 3-LP set, recorded in 1991 at the Inter-Media Arts Center in Huntington, NY and featuring the Arkestra in good form, it's time to declare this Record Day release a triumph.

...and "Recommended Components," fully revised and updated—82k words in 43.5pp—our April issue is 196 pages of audiophile awesomeness!

When we released the "Thoughts on CES 2017" video, we received an overwhelming amount of feedback from readers who were pleased to finally be able to associate faces to the writers they had long read and revered on paper.

This video attempts to capture the essence of Stereophile writer and audio industry veteran Herb Reichert—at least as much as is possible in a 10-minute, streamed video.

RSL is the house brand of a California chain of retail stores, Rogersound Labs, that is part-owned by the leader of the RSL loudspeaker-design team, one Howard Rodgers. (Rogersound Labs also owns the Upscale Audio high-end store in north Los Angeles.) The range offered by RSL is unbelievably wide, with models addressing just about every market niche and price category. The Speedscreen II, however, is Howard's attempt to produce a true high-end loudspeaker at an affordable price. To the casual observer, the Speedscreen ($898/pair) appears to be a planar design; however, its shallow, braced enclosure houses moving-coil drive-units, and is a result of Howard's attempts to minimize the effect of cabinet resonances. "I always thought deep, narrow enclosures sound 'boxy'," said Howard when he visited Santa Fe last September, "and the wide but shallow cabinet seemed to be the best way to get a large internal volume without 'boxiness'."