The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.

The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.

The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.

The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.

The Emerson String Quartet defies conventional wisdom. They like to take risks, and they use the adrenaline that creates to hone their music-making to a fine edge.

There is a war of words—and numbers—being waged in the struggle over copyright infringement and the illegal copying of music. Downloading music is a boon to the music industry, claim some, because it leads to increased sales of CDs. Others present statistics that undeniably prove that downloading will be the death of the music business.

Back in 1979, most of us had never seen a digital audio product, much less heard one, but J. Gordon Holt knew what was coming: "The beginning of 1979 saw the introduction of the first samples of what will finally, after 79 years of supremacy, lower the curtain on the mechanically-traced disc: The digital recording." In "<A HREF="http://www.stereophile.com//asweseeit/240/">High Fidelity at the Crossroads</A>," Holt looks at the new twinkle in Sony's eye and makes some sage observations.

When spying this press release a couple of days ago, I had to read it twice&mdash;this was too good to be true. A couple of years back in the September 1997 (or as JA likes to put it: Vol.20 No.9) <I>Stereophile</I> "Industry Update," I had reported on the then-discovered "synchronicities" phenomena: playing certain classic rock albums, when sync'ed up with certain classic films yielded several uncanny coincidences twixt music and screen. Watching and listening this way could lead one to almost believe that the albums were created as soundtracks to the films.

According to numbers just released by the <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA), April audio factory-to-dealer sales shot up by 13% to $611 million, representing a year-to-date increase of 10%. The CEA says that audio revenues in all categories except aftermarket autosound experienced double-digit growth in both monthly and year-to-date sales. Aftermarket autosound remained steady, keeping pace with its record-breaking sales in 1999.