English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together—they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together—they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together—they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together—they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

English manufacturer Monitor Audio has been around for just about as long as people have been putting "high-end" and "audio" together—they opened their doors in 1972. Back in the mid '80s, when I was a young and carefree (and impoverished) consumer of hi-fi reviews, I'd read about the gold-deposited metal tweeters that Mo Iqbal was concocting and think, "Man, that's some exotic, far-out stuff!"

Robert Deutsch asks, "How can you tell an audiophile from a normal person?" RD's answer involves the name of the <A HREF="http://www.stereophile.com//loudspeakerreviews/296/">Vienna Acoustics Mahler loudspeaker</A>, which Deutsch reviewed for the April 2000 issue of <I>Stereophile</I>. Deutsch writes, "I find Gustav Mahler's music to be on the ponderous side, but when I heard the Vienna Acoustics Mahlers at HI-FI '99, I was sufficiently impressed that I began the process of getting a pair for review." The results of his careful listening are not ponderous at all.

Thirteen months after announcing its <A HREF="http://www.stereophile.com/news/10593/">return</A&gt; to manufacturing, Memphis-based speaker maker <A HREF="http://www.egglestonworks.com/">EgglestonWorks</A&gt; is back in a big way, with plans to debut a "radical" and "visually provocative" reference loudspeaker at the Consumer Electronics Show in January.

The economy may be slowing down in some parts of the country, but not, apparently, in Minneapolis, where national electronics retailer <A HREF="http://www.bestbuy.com/">Best Buy Co</A>., Inc. announced December 7 its acquisition of both <A HREF="http://www.musicland.com/">Musicland Stores Corporation</A> (also of Minneapolis) and Seattle-based <A HREF="http://www.magnoliahifi.com/">Magnolia Hi-Fi, Inc</A>. The buyouts will give Best Buy increased exposure in rural malls and in the Pacific Northwest. The company also announced a plan to open several stores in Canada over the next three years, beginning with eight locations for which leases have already been signed.

Briefly <A HREF="http://www.stereophile.com/news/10843/">gone</A&gt; but not forgotten, Wadia Digital will return as a division of Audio Video Research, Inc. (AVR) of Ann Arbor, Michigan, a new company formed in December, 2000 by combining the assets of Wadia and Digital Imaging Corporation. Wadia products, including the 861 and 831 CD players and 27<I>ix</I> processor, will be shown at CES in January, 2001.