Consumer electronics site <A HREF="http://www.etown.com/">Etown</A&gt; has become the latest victim of the dot-com bust, dismissing its entire workforce of approximately 100 people in New York and San Francisco. The company had run out of money, according to chief executive Robert Heiblim. Etown, operated by Collaborative Media, Inc., has transferred its remaining assets to electronics retailer Best Buy, Inc. of Minneapolis, a major investor. The site was still active as of Sunday, February 18; whether Best Buy will simply shut it down or use it as a sales organ isn't known at present.

John Atkinson asked "What's that noise?" He wasn't referring to the piano that Robert Silverman was playing for <I>Stereophile</I>'s recording, <A HREF="http://www.stereophile.com//features/315/">Concert</A&gt;, but rather to the sound of candy wrappers in the concert hall. The recording survived the crackling ordeal, but the lady with the wrapper did not. JA relates the entire story, and also serves up additional details about the making of the double CD set.

Satellite radio may become one of the most successful communications formats ever launched, according to predictions from market research and analysis company <A HREF="http://www.yankeegroup.com/">The Yankee Group</A>. A new report suggests that satellite radio will take off the way cable TV did back in the 1970s; the result may create permanent changes in the radio industry.

Napster has been taking its share of hits this past week from the music industry and the RIAA as a result of the Ninth US Circuit Court of Appeals' ruling last Monday that will likely pave the way for shutting down the file-sharing service. In its findings, the Court states that "Napster users who upload file names to the search index for others to copy violate plaintiffs' distribution rights. Napster users who download files containing copyrighted music violate plaintiffs' reproduction rights."

The affair started quietly enough, with the following exchange that appeared in <I>Stereophile</I>'s January 2001 "Letters" section, following my decision to put the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> high-end PC soundcard on the cover of our September 2000 issue:

The affair started quietly enough, with the following exchange that appeared in <I>Stereophile</I>'s January 2001 "Letters" section, following my decision to put the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> high-end PC soundcard on the cover of our September 2000 issue:

The affair started quietly enough, with the following exchange that appeared in <I>Stereophile</I>'s January 2001 "Letters" section, following my decision to put the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> high-end PC soundcard on the cover of our September 2000 issue:

The affair started quietly enough, with the following exchange that appeared in <I>Stereophile</I>'s January 2001 "Letters" section, following my decision to put the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> high-end PC soundcard on the cover of our September 2000 issue:

The affair started quietly enough, with the following exchange that appeared in <I>Stereophile</I>'s January 2001 "Letters" section, following my decision to put the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe</A> high-end PC soundcard on the cover of our September 2000 issue: