I haven't been shy in these pages regarding my love for the Mission 731i loudspeaker (reviewed in November 1996, Vol.19 No.11). It quickly became my reference standard for an entry-level audiophile speaker. Subsequent to my review, Mission significantly improved the speaker by introducing a silk-dome tweeter (see Follow-Up in April 1998, Vol.12 No.4). I bought three pairs: one for my home recording studio, one for my faux outdoor summer-home system (guest bedroom windowsills, pointing outward), and one for portable use to drag to friends' parties when their sound systems are not up to snuff.

I haven't been shy in these pages regarding my love for the Mission 731i loudspeaker (reviewed in November 1996, Vol.19 No.11). It quickly became my reference standard for an entry-level audiophile speaker. Subsequent to my review, Mission significantly improved the speaker by introducing a silk-dome tweeter (see Follow-Up in April 1998, Vol.12 No.4). I bought three pairs: one for my home recording studio, one for my faux outdoor summer-home system (guest bedroom windowsills, pointing outward), and one for portable use to drag to friends' parties when their sound systems are not up to snuff.

I haven't been shy in these pages regarding my love for the Mission 731i loudspeaker (reviewed in November 1996, Vol.19 No.11). It quickly became my reference standard for an entry-level audiophile speaker. Subsequent to my review, Mission significantly improved the speaker by introducing a silk-dome tweeter (see Follow-Up in April 1998, Vol.12 No.4). I bought three pairs: one for my home recording studio, one for my faux outdoor summer-home system (guest bedroom windowsills, pointing outward), and one for portable use to drag to friends' parties when their sound systems are not up to snuff.

The <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA) believes 2002 will be a slow year for home-audio sales, but not an unsuccessful one for either manufacturers or retailers.

Igor Kipnis, virtuosic harpsichordist, prolific critic, and esteemed teacher died January 23. He was 71. According to his managing agency, Marilyn Gilbert Artists Management of Toronto, he had been suffering from cancer.

The Telecommunications Act of 1996 loosened many long-established constraints on the ownership and operation of radio and television stations in the United States. The regulatory changes launched waves of mergers and acquisitions through the nation's broadcasting industry, consolidating what had been many regional companies into a few large conglomerates in just a few years. Backed by vice president Al Gore and the then chairman of the Federal Communications Commission (FCC), William Kennard, the changes were intended to make the broadcasting industry more responsive to the "free market."

Jonathan Scull found himself in awe of the beautiful and ingenious construction lavished on the <A HREF="http://www.stereophile.com//digitalsourcereviews/505/">Boulder 1012 D/A preamplifier</A>. "Its design and build qualities are icons to elegant engineering know-how. No screws show on the rectangular box . . .", J-10 enthuses. And as Scull finds, this D/A preamp combines both beauty and brains to create sheer audio pleasure.

In the fall of 1999, a couple of Canadian high-end audio companies got together to pool resources with the idea that two heads were better than one when it came to certain new products. <A HREF="http://www.simaudio.com">Simaudio</A&gt; of Boucherville, Quebec and <A HREF="http://www.magnumdynalab.com">Magnum Dynalab</A> of Brampton, Ontario formed a strategic alliance with the purpose of sharing various technologies to further enhance each company's product lines.

It's hard enough for established record labels both big and small these days. With the high-resolution audio formats SACD and DVD-Audio still fighting each other and struggling to launch, picking sides is an even bigger gamble for a brand-new record label's first releases.

There's one phrase a Ferrari dealer never hears from a potential customer: "Ferrari? What's a Ferrari?" Marques such as Ferrari, Lamborghini, and Maserati are so embedded in mainstream culture that their dealers never have to introduce an unfamiliar but exorbitantly expensive set of wheels to their prospects.