Not every interesting audio component gets a full review in <I>Stereophile</I>. Many more products are covered in Sam Tellig's, <A HREF="http://www.stereophile.com/artdudleylistening">Art Dudley's</A>, Michael Fremer's, <A HREF="http://www.stereophile.com/musicintheround">Kal Rubinson's</A>, and <A HREF="http://www.stereophile.com/thefifthelement">John Marks'</A> regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.

Not every interesting audio component gets a full review in <I>Stereophile</I>. Many more products are covered in Sam Tellig's, <A HREF="http://www.stereophile.com/artdudleylistening">Art Dudley's</A>, Michael Fremer's, <A HREF="http://www.stereophile.com/musicintheround">Kal Rubinson's</A>, and <A HREF="http://www.stereophile.com/thefifthelement">John Marks'</A> regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.

Not every interesting audio component gets a full review in <I>Stereophile</I>. Many more products are covered in Sam Tellig's, <A HREF="http://www.stereophile.com/artdudleylistening">Art Dudley's</A>, Michael Fremer's, <A HREF="http://www.stereophile.com/musicintheround">Kal Rubinson's</A>, and <A HREF="http://www.stereophile.com/thefifthelement">John Marks'</A> regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.

Not every interesting audio component gets a full review in <I>Stereophile</I>. Many more products are covered in Sam Tellig's, <A HREF="http://www.stereophile.com/artdudleylistening">Art Dudley's</A>, Michael Fremer's, <A HREF="http://www.stereophile.com/musicintheround">Kal Rubinson's</A>, and <A HREF="http://www.stereophile.com/thefifthelement">John Marks'</A> regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.

Not every interesting audio component gets a full review in <I>Stereophile</I>. Many more products are covered in Sam Tellig's, <A HREF="http://www.stereophile.com/artdudleylistening">Art Dudley's</A>, Michael Fremer's, <A HREF="http://www.stereophile.com/musicintheround">Kal Rubinson's</A>, and <A HREF="http://www.stereophile.com/thefifthelement">John Marks'</A> regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.

I'm always eager to fulfill my prime <I>Stereophile</I> directive: "To go where no audiophile has gone before," as JA often quips. As it happens, I've long suffered an itch to audition OTL (output-transformer&ndash;less) amplifiers, wondering how eliminating the output transformer might affect the sound. Enter the Graaf GM 200, with nothing but wire between its power tubes and the crossover.

I'm always eager to fulfill my prime <I>Stereophile</I> directive: "To go where no audiophile has gone before," as JA often quips. As it happens, I've long suffered an itch to audition OTL (output-transformer&ndash;less) amplifiers, wondering how eliminating the output transformer might affect the sound. Enter the Graaf GM 200, with nothing but wire between its power tubes and the crossover.

I'm always eager to fulfill my prime <I>Stereophile</I> directive: "To go where no audiophile has gone before," as JA often quips. As it happens, I've long suffered an itch to audition OTL (output-transformer&ndash;less) amplifiers, wondering how eliminating the output transformer might affect the sound. Enter the Graaf GM 200, with nothing but wire between its power tubes and the crossover.

I'm always eager to fulfill my prime <I>Stereophile</I> directive: "To go where no audiophile has gone before," as JA often quips. As it happens, I've long suffered an itch to audition OTL (output-transformer&ndash;less) amplifiers, wondering how eliminating the output transformer might affect the sound. Enter the Graaf GM 200, with nothing but wire between its power tubes and the crossover.