Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product <I>categories</I> as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time&mdash;yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants <I>too much</I> of a good thing&mdash;the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants <I>too much</I> of a good thing&mdash;the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants <I>too much</I> of a good thing&mdash;the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants <I>too much</I> of a good thing&mdash;the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants too much of a good thing—the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants <I>too much</I> of a good thing&mdash;the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.

A straight wire with gain? That's what a line stage is supposed to provide, but few in my experience actually accomplish it, and I'm not sure that most audiophiles would really want it that way. Some want a bit of tightening and brightening, while some prefer a bit of added warmth and richness. But whatever the preference, none of us wants too much of a good thing—the tighter, brighter line stages better not sound etchy and hard, and the warmer, richer ones better not sound thick and plodding.