I was fortunate enough to be raised in an environment where music of many kinds was played often. I lived with my mother in small apartments in Washington, DC, in the 1960s and '70, and most of the time, music was playing. Chopin, Wagner, Beethoven, Coltrane, Miles, Sonny Rollins, Streisand, Baez, Dylan, Miriam Makebaeven the Doors, Hendrix, and Janis Joplin.
Many, though certainly not all, musicians of most genres dream of composing, crafting, birthing a hit recordone they will forever be known for, and that will make them enough money that they'll never have to sleep on another hard floor or friend's stained couch as long as they live. Very few fulfill this dream, and those who do often don't know why or just how it happened.
The Cable Company's 16th annual Summer Against Hunger is anything but a feel-good gimmick. Thanks to ingenious leveraging by Robert Stein, company founder, every dollar spent on purchases from The Cable Company in the month of August results in almost $2 donated to a specific project of C.A.R.E., a leading humanitarian organization fighting global poverty. Given that C.A.R.E. is one of the more efficient charities aroundover 90% of donations go directly to programs and recipients, rather than to administrationthis means that for every $100 purchase you make during the month of August, a donation of over $180 will go directly to people and communities in need.
Blind though I am to the allure of blind testing, I can appreciate some degree of review-sample anonymity: Distinctive products elicit distinctive responses, but a plain black box encourages us to leave our prejudices at the door. It asks of us a certain . . . objectivity.
So it was with the Micromega AS-400 digital source/integrated amplifier ($4495), the anonymity of which was compounded, in my case, by a generous helping of forgetfulness: I suppose I was told, ahead of time, that this was a class-D amplifier, but at some point in time before my first at-home audition I apparently killed the brain cells responsible for remembering that fact. So I was innocent of conscious prejudice when I listened to this elegant cipher of a box and wrote, in my notes: "Dynamic, dramatic, and almost relentlessly exciting with some recordings. Imbued pianos with almost too much dynamism for the roomtoo much being very good!but lacked some 'purr' in the die-away. Basically fine and fun. Wish it had a little more color and spatial depth."