Paradigm has some new active speakers, including the A2 ($300–$350/pair, depending on finish) demoed here by Erin Phillips and Mark Aling using a Numark DJ mixing deck. Paradigm has also entered the earbuds market, with models ranging in price from $59 to $149. Like Paradigm's speakers, these were developed utilizing anechoic testing.

Anthem, Paradigm's sister company, has a very interesting new class-D amplifier, the M1 monoblock ($3799 each), a slim unit that is capable of putting out 1 kilowatt into 8 ohms and 2kW into 4 ohms. The M1 has an integrated fan-less cooling system that allows multiple amps to be stacked without feet.

The new TAVES event taking place this weekend in Toronto is the result of two years of planning and market research and the efforts of Suave Kajko, Publisher/Editor in Chief of Canada Hi-Fi magazine, Simon Lau, owner of AuDiY, an audio component and accessory distribution company, and Michel Plante, President of the Montreal Salon Son & Image. The experience of Michel, and of Sarah Tremblay, Director of the Montreal show, who is also involved in the organization of TAVES, has, I'm sure, been invaluable. The list of sponsors includes Stereophile and sister magazine Home Theater. The venue is the upscale Le Meridien King Edward Hotel, a four-diamond property built in 1903 and subject to extensive renovations through the years.

Iconic hi-fi manufacturer McIntosh and fashion designer John Varvatos are joining forces in hopes to spread the love of great sound to customers at Varvatos stores across the country. Both brands hope to bring customers closer to the rock’n’roll experience by bringing them closer to the music through a high-fidelity audio system. Varvatos’s relationship with McIntosh began at age 17, when he heard his first Mac system. Varvatos, an audio enthusiast, described how he felt listening to a hi-fi for the first time: “I thought it was the future then, and it’s the future now.”

While it didn’t quite save my life, music, not a D.J., really helped transport me out of a tight situation last week. As we all know, music nerd-dom has its downsides—excess clutter, disgruntled mates, etc—but every once in a while...

In his autobiography, Miles Davis wrote that all his live concerts through the 1960s were taped by someone and that Columbia Records, his label in those days, would no doubt release them after he died.

He was so right. Not that I'm complaining.

A few years ago, after the umpteenth of these high-concept releases, I thought that Columbia (now Sony) must have reached the end of the Miles treasure trove. But it seems the fun is just beginning. The latest multidisc set (three CDs and one DVD) is Miles Davis Quintet: Live in Europe, 1967, subtitled The Bootleg Series, Vol.1.

Take note of that Vol.1. There's more—who knows how much more—to come.

The outer walls of the Cooper Square Hotel reflect blue sky and angle gently as they rise to the penthouse suite. When construction on the hotel began, New Yorkers cried “Abomination!” at the idea of a glass-sheathed high-rise towering over the short brick buildings of the East Village. Now that the Cooper Square Hotel has integrated itself into the Bowery’s landscape, it is the ambitions of the building’s architects that are remembered, not New Yorkers’ gripes.