When some folks think of Audio Note, they picture of low fog over English lakes, Earl Grey tea, The House of Commons, and Big Ben. Tubes for sure. Likely, Classical music. Well hold on to your remote control, 'cause this latest sighting of Audio Note, at the Florida Audio Expo, was more drum'n'bass than Dvorák, more techno wampum than Die Walkure.

There are always a few truly eccentric rooms at audio shows; I hope there always will be. At FLAX 2024, the Davina Loudspeaker commanded one.

As Stereophile managing editor Mark Henninger and I scurried up and down the Hilton halls, fulfilling our tasks as intrepid reporters, we had little time to compare notes. But we agreed on one room, Axiss Audio. In a room filled with exceptional gear, Axiss's Cliff Duffey and TJ Goldsby had set up a fantastic rig, well beyond the norm, which overachieved and set my ears afire. (Not literally.)

Angie Lisi and Matthew Legere of American Sound of Richmond Hill, Ontario, played vinyl records, after my heart.

One of the first digital processors I encountered that offered 21 bits of resolution was the Weiss DAC202, which Erick Lichte reviewed in January 2012. Subsequent processors from this Swiss company have consistently performed well, not just on the test bench but also in the listening room.

Steve Jain's Fidelity Imports held fort in six rooms at FLAX, crisscrossing lines that included Perlisten, Primare, Michell, Unison Research, Diptyque, Opera, Soulnote, Gold Note, Q Acoustics, and more. Room 1016 was co-hosted by Chestertown, Maryland, dealership The Listening Room.

Shunyata Research’s Richard Rogers showed me one of my favorite rooms of the show, a smallish rig that made very biggish sounds.