While John Atkinson, Jason Victor Serinus, and many more of our friends and colleagues prepare for Axpona in Chicago, where they’ll face what we all hope is this winter’s last frigid gasp, I’ve got my eyes set on this summer’s Pitchfork Music Festival, to be held Friday–Sunday, July 19–21, at Chicago’s Union Park.

I hear it's gonna be hot.

Tickets are on sale now, with single-day passes priced at $50 and three-day passes selling for an attractively discounted $120. But, taking into consideration the outstanding headliners and the well-rounded initial lineup, I suspect most music fans will have a very difficult time attending this Pitchfork Music Fest for just a single day. Three-day passes are practically mandatory.

The initial lineup, highlighted by Bjork, Belle & Sebastian, and R. Kelly, was announced this week:

A little over two years ago, I raved in this space over Rhino's 180-gram vinyl pressing of Ornette Coleman's 1959 album The Shape of Jazz to Come, one of the greatest and most important in all of jazz. Now I'm here to rave louder still (with one frustrating caveat) about another reissue, mastered by Bernie Grundman at 45rpm for the audiophile label ORG.

It was around 9:30am on Monday, November 12, when my plane landed in gray and chilly London. I managed to get through Customs with nothing more than the usual amount of stress and embarrassment, satisfactorily answering all of the agent’s odd questions. That out of the way, I next had to find my host&#151KEF’s head of brand development, Johan Coorg. Because my cell phone wasn’t working, I was worried that I’d be left stranded at Heathrow, but I recognized Coorg immediately: At the 2008 Consumer Electronics Show, he had introduced me to the stunning KEF Muon, and, at KEF’s lavish 50th Anniversary celebration, he had introduced me to a delicious Pimm’s Cup. Now he was standing casually at the Arrivals gate. He wore a dark brown blazer, striped button-down shirt, gold cufflinks, faded blue jeans, shiny leather shoes, and a look of comfort. He was busy pressing buttons on an iPhone.

“Johan,” I said.

“Hello! You made it!”

He led me from the airport, through the parking garage, and to an impressive black Mercedes. After loading our bags into the trunk, I instinctively walked around to the right-hand side of the car and nearly opened the door.

“Wrong side, mate. Unless you want to drive.”

It was a mistake I’d make a few more times before our three-day trip was over.

It's not just the first audio show in Chicago in 14 years, since Stereophile's Hi-Fi ’99 at the Palmer House. It's also the first in a millennium where computer audio is changing every aspect of the music and audio industries.

Nor is it a minor effort. AXPONA Chicago, which runs March 8–10 on five floors of the Doubletree by Hilton O'Hare Airport, promises 90 separate exhibit rooms, 74 table displays in approximately 30 different booths presenting 100 or so brands, and equipment from over 400 manufacturers. Dealers exhibiting number 26, with 15 from Chicago, and others from New York, California, Florida, and other states. That's a lot of show.

There's been a lot of concern expressed about the difficulties experienced by bricks-and-mortar audio retailers, and I guess these concerns are well founded, but some retailers continue to not only survive but thrive.

One such retailer is American Sound of Canada, located in the Toronto suburb of Richmond Hill. Owned and managed by Angie Lisi (known to all her customers as just "Angie"), American Sound was founded in 1970, and has recently opened a second location a few miles up the road, called Angie's Audio Corner, specializing in their higher-end lines. Angie's very capable assistants, Leyland and Arnold, now look after the Richmond Hill store, and Angie's Audio Corner is Angie's baby. Converted from an old residential property, Angie's Audio Corner has a more sophisticated upscale boutique vibe than the Richmond Hill store, but, with Angie in charge, the atmosphere is still welcoming rather than stuffy.

Angie's Audio Corner had an event on February 28 to introduce some of their new lines, including Joseph Audio speakers, the latest Meridian Sooloos music server, Brinkmann turntables, and Zesto Audio line stage and phono stage.

I remember my first real encounter with the Logitech|UE 900s noise-isolating earphones ($399.99). I broke them out riding the B35 to catch the Q to someplace I don’t remember.The UE 900s’ braided cables unraveled gracefully as I lifted them from their burnished black carrying case.

I started this Payday Albums project in January. By February, I’d already fallen behind. So, let’s play catch-up:

Today’s payday. These are the albums I bought.

Register to win a set of V-Moda M-80 Headphones (MSRP $230) we are giving away.

"Masterfully tuned by a legion of legendary musicians, producers and DJs, M-80 packs unique materials, professional acoustics, natural noise isolation, ultimate ergonomics and military-level ruggedness into a design 53% smaller than its now legendary, over-ear sibling, Crossfade LP."

[This Sweepstakes is now closed.]