LATEST ADDITIONS

Robert Gantz  |  Sep 09, 2001  |  0 comments

Reader Robert Gantz wonders, now that the major record labels have committed to adding copy protection processing to at least some of their CDs, are you ready to reduce or stop buying new music until they stop?

With all the talk of record labels adding copyright protection to CDs, would you consider a boycott on new music purchases?
Yes!
34% (129 votes)
Only the protected discs
48% (181 votes)
I'll reduce purchases
3% (13 votes)
No, I'll keep buying as normal
11% (42 votes)
Other
3% (13 votes)
Total votes: 378
Jon Iverson  |  Sep 09, 2001  |  0 comments
For the last several months, the major record labels have been ramping up what some have viewed as a stealth assault on their customers by increasingly deploying technology that restricts the use of audio CDs (see previous). While an increasing number of music fans have been crying foul, one consumer has decided to fight back in court.
Stereophile Staff  |  Sep 09, 2001  |  0 comments
In his review of the Toshiba SD-9200 DVD-Audio player, Chip Stern asks the question "In a rollout of new technologies more or less driven by the expectations of the home-theater crowd, what's in it for us music-lovers?" Stern uncovers the answer and then some, while Kal Rubinson explores the player's surround-music performance.
Barry Willis  |  Sep 09, 2001  |  0 comments
Most aspiring musicians dream of the day they will sign a contract with a major record label. Too often, the dreams become nightmares from which they can escape only much later in life.
John Atkinson  |  Sep 09, 2001  |  0 comments
Breaking news at the 2001 CEDIA Expo, held this past weekend in Indianapolis, IN, was that Harry Pearson, founder and editor of bimonthly high-end audio magazine The Absolute Sound, has apparently been moved to one side. According to TAS publisher Mark Fisher, with whom I spoke briefly Sunday morning on the Show floor, the day-to-day editing of the magazine will become the responsibility of erstwhile Stereophile consulting technical editor Robert Harley.
Jon Iverson  |  Sep 09, 2001  |  0 comments
Forget the SACD/DVD-Audio format wars, a more interesting (and potentially more devastating to consumers) battle is brewing among companies racing to add copy protection technology and other restrictions to compact discs.
John Atkinson  |  Sep 09, 2001  |  0 comments
My dogs were killing me. It was the end of the second day of the 1985 Summer Consumer Electronics Show, which I was visiting on behalf of English magazine Hi-Fi News & Record Review. I had been dutifully tramping the capacious corridors of Chicago's McCormick Center and the rooms of the (now demolished) McCormick Inn, looking for signs of musical life amid the huge promotion for the 8mm tape format, which was being heavily touted at CES as the future of both video and audio (!) reproduction. Even trade-paper headlines shouting "Audio: Not Just Video Peripheral!" failed to lift my spirits as I took the shuttle bus over to the Americana Congress hotel on South Michigan, where most of the high-end audio companies were hanging out.
Stereophile Staff  |  Sep 02, 2001  |  183 comments

Audiophiles are not easily satisfied, and are often accused of having a roving eye for new components. Anything you've been eyeing lately?

What audio component have you been keeping your eye on these days?
Here it is
87% (174 votes)
I'm completely faithful
13% (26 votes)
Total votes: 200
Barry Willis  |  Sep 02, 2001  |  0 comments
The Super Audio CD has won the endorsement of two more major record labels, according to press releases issued the last week of August. The announcements followed by only a few days one by Universal Music Group that it would begin producing the high-resolution recordings for mass distribution.
Barry Willis  |  Sep 02, 2001  |  0 comments
Just as the Asian economic crisis a few years ago dealt a big blow to American high-end audio manufacturers, the slowing American economy is causing repercussions for Japanese companies.

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