Music Surround-Sound Components:
A:
Arvus H2-4D multichannel Dolby Atmos digital processor: $4990
The H2-4D combines HDMI and word clock inputs with 16-channel digital (AES3), balanced analog, and LAN outputs. It decodes and renders all extant varieties of Dolby (including Atmos), DTS (including DTS-X), and stereo and multichannel PCM (up to 24/192). Set-up and control is via a local webpage, accessible via the user's network. After wrestling with setting up the channels, KR found with the Arvus's digital outputs that while Apple Music's Atmos is lossy and limited to a 48kHz sample rate, he found it a credible alternative to high-rez stereo, "swapping the latter's clarity and immediacy for a huge enhancement in the acoustic space." In the test lab, JA found that while the Arvus's digital outputs preserved the resolution and sample rate of hi-rez files, the analog outputs downsampled the data to 48kHz, with not much better than 16 bits of resolution. He felt that this rules out the H2-4D for use in a system where the owner wants to play back hi-rez music files as well as movies, with just one processor. Nevertheless, KR concluded that the Arvus H2-4D "is the single piece of audio hardware that can deliver Atmos into a component audio system," (Vol.46 No.5 WWW) exaSound s88 Mark II: $7599
See "Digital Processors." exaSound Sigma Streamer Mark II:$799
To those who already own an exaSound DAC, the exaSound Sigma Streamer offers an affordable and tidy alternative to the company's PlayPoint digital-source components. The simple Sigma, which streams via wired or wireless LAN, is a Roon-ready endpoint, can function as an HQPlayer network audio adapter, and is compatible with UPnP, OpenHome, and AirPlay protocols. It supports PCM to 32/384, DSD to DSD256, and MQA (full unfold). KR found the Sigma to be "easy to use and completely functional as a network link" for his own exaSound e38 and e38 MkII DACs. (Vol.42 No.9) Merging Technologies MERGING+ANUBIS Monitor Controller Premium: $2756
Another category-defying product from Swiss manufacturer Merging Technologies, the Merging+Anubis Premium combines a 32-bit 384kHz DAC with the processing power required to accept an eight-channel stream via Ethernet and concomitantly control up to eight studio monitors. It is, in other words, a pro-audio studio controller that does double duty as a domestic multichannel D/A processor. Add to that the Anubis's two headphone outputs and two analog inputs—the latter could accept, say, a stereo phono preamp, FM tuner, or other source—and you have an unusually flexible, high-quality Swiss-made product at a distinctly reasonable price. KR described his delight with the Anubis's sound, noting in particular its "sense of natural balance and smoothness," and praised this most recent Merging Technologies product as "a superb multichannel DAC that has redefined my entire system." (Vol.42 No.11)
miniDSP U-DIO8 Multichannel Interface: $399 ★
"There has been a serious impediment to the spread of multichannel playback among audiophiles." Thus did Kal Rubinson describe, in his September 2018 "Music in the Round" column, the scarcity of commercial multichannel D/A processors—at the moment, there appear to be only three—and its stultifying effect on hobbyists interested in surround sound. A solution has appeared in the form of the U-DIO8 multichannel interface from miniDSP. This takes the USB output of any computer running Windows, Mac OS, or Linux, and converts it to AES/EBU or S/PDIF, thus allowing that computer, acting as a server/player, to drive three or four two-channel DACs, which appear to be as common as worms after a rainstorm. While noting that the U-DIO8's output is limited to 24/192, KR tested it with several different two-channel processors and observed that "the sonic signature of each model of DAC remained audible," and concluded that miniDSP's new interface is "as indispensable to multichannel audio as a cream filling is to an Oreo." In his November 2018 column, Kal wrote of using the U-DIO8 to wrangle a trio of Benchmark DAC3 HGCs, with interesting and, at times, musically stunning results. (Vol.41 Nos.9 & 11 WWW) NAD M28: $5499
A seven-channel power amplifier that shares the same NAD Purifi-Eigentakt class-D output modules as the two-channel C 298—see "Two-Channel Power Amplifiers" —and offers 200Wpc. KR was impressed by the M28, commenting that, compared with his previous reference multichannel amplifier, a Bryston 9B-ST THX, "the treble seemed more delicately detailed while the upper low frequencies were a bit better defined. In multichannel, the M28 created a somewhat greater sense of envelopment with both 5.1 and Atmos content." (Vol.44 No.6 WWW) Okto dac8 PRO: €1289 $$$
An 8-channel DAC with USB input and output, 8 channels of AES/EBU input, 8 channels of balanced (XLR) analog output, a headphone output, and a choice of seven reconstruction filters, the made-in-Prague dac8 Pro so impressed KR that he bought the review sample. JA's measurements indicated that, with just over 20 bits of effective resolution and vanishingly low linearity error and distortion, no compromises had been made to pack eight D/A channels into the Pro's slim chassis. (Vol.43 No.12, Vol.44 No.2 WWW)
Trinnov Altitude 32/-816: $31,250 incl. 3D decoding package as reviewed
In recent years, KR has written about the Trinnov MC Optimizer, a processor that impressed him with its ability "to move, at will, the sounds of instruments around the soundstage." Now the Optimizer exists as a suite of DSP software inside the company's Altitude 32 preamplifier, which Kal reviewed as the Altitude 32-816. (The model number denotes this version's eight-channel capability and 16 outputs.) While bemoaning the product's weight (32lb), complexity, and most of all, its price, KR noted that the Trinnov's capabilities are such that "its limitations are inconsequential" and that, as a preamp alone, the Altitude 32 offers transparency and tonal precision competitive with those of any preamp, A/V or not. (Vol.42 No.7 WWW) B: Essence Evolve II-4K HDMI v2.0 Multi-Channel DAC: $349
The Evolve II-4K is that rarity in high-end audio: a bargain-priced niche product. In this case, the niche is the one reserved for D/A processors capable of extracting and decoding the high-quality audio embedded in an HDMI video stream, while sending the video content direct to the user's display. KR put the little Evolve II-4K to work in a couple of settings and was "stunned that it sounded so good," adding that, although the Essence DAC didn't sound quite as good as his exaSound e38, "it was not shamed." (Vol.42 No.7 WWW) Parasound Halo A 52+: $3999 ★
The Parasound Halo A 52+ five-channel power amp offers 180Wpc into 8 ohms or 255Wpc into 4 ohms. (When used as a two-channel amp, those power specs are respectively bumped up to 225 and 350Wpc.) This John Curl—designed amp operates in class-AB and offers both balanced and unbalanced inputs—although, as KR observed, it can't be used with both types of input cables connected simultaneously. That and the amp's 55lb weight were the only aspects of the Halo A 52+ that didn't fully delight KR, who noted sweet, pure tones from strings, freedom from blurring of individual voices or instruments in dense ensemble recordings, fine bottom-end extension, and "all [the] necessary juice no matter how loud I turned it up—and I turned it up loud." (Vol.41 No.5 WWW)
Primare A35.8 8-channel power amplifier: $5500
See "Power Amplifiers." (Vol.45 No.11 WWW) Topping DM7 8-channel D/A processor: $599.99
See "Digital Processors." (Vol.46 No.1 WWW) Deletions
Hegel C53, NAD M17 V2i, not auditioned in a long time.
The H2-4D combines HDMI and word clock inputs with 16-channel digital (AES3), balanced analog, and LAN outputs. It decodes and renders all extant varieties of Dolby (including Atmos), DTS (including DTS-X), and stereo and multichannel PCM (up to 24/192). Set-up and control is via a local webpage, accessible via the user's network. After wrestling with setting up the channels, KR found with the Arvus's digital outputs that while Apple Music's Atmos is lossy and limited to a 48kHz sample rate, he found it a credible alternative to high-rez stereo, "swapping the latter's clarity and immediacy for a huge enhancement in the acoustic space." In the test lab, JA found that while the Arvus's digital outputs preserved the resolution and sample rate of hi-rez files, the analog outputs downsampled the data to 48kHz, with not much better than 16 bits of resolution. He felt that this rules out the H2-4D for use in a system where the owner wants to play back hi-rez music files as well as movies, with just one processor. Nevertheless, KR concluded that the Arvus H2-4D "is the single piece of audio hardware that can deliver Atmos into a component audio system," (Vol.46 No.5 WWW) exaSound s88 Mark II: $7599
See "Digital Processors." exaSound Sigma Streamer Mark II:$799
To those who already own an exaSound DAC, the exaSound Sigma Streamer offers an affordable and tidy alternative to the company's PlayPoint digital-source components. The simple Sigma, which streams via wired or wireless LAN, is a Roon-ready endpoint, can function as an HQPlayer network audio adapter, and is compatible with UPnP, OpenHome, and AirPlay protocols. It supports PCM to 32/384, DSD to DSD256, and MQA (full unfold). KR found the Sigma to be "easy to use and completely functional as a network link" for his own exaSound e38 and e38 MkII DACs. (Vol.42 No.9) Merging Technologies MERGING+ANUBIS Monitor Controller Premium: $2756
Another category-defying product from Swiss manufacturer Merging Technologies, the Merging+Anubis Premium combines a 32-bit 384kHz DAC with the processing power required to accept an eight-channel stream via Ethernet and concomitantly control up to eight studio monitors. It is, in other words, a pro-audio studio controller that does double duty as a domestic multichannel D/A processor. Add to that the Anubis's two headphone outputs and two analog inputs—the latter could accept, say, a stereo phono preamp, FM tuner, or other source—and you have an unusually flexible, high-quality Swiss-made product at a distinctly reasonable price. KR described his delight with the Anubis's sound, noting in particular its "sense of natural balance and smoothness," and praised this most recent Merging Technologies product as "a superb multichannel DAC that has redefined my entire system." (Vol.42 No.11)
"There has been a serious impediment to the spread of multichannel playback among audiophiles." Thus did Kal Rubinson describe, in his September 2018 "Music in the Round" column, the scarcity of commercial multichannel D/A processors—at the moment, there appear to be only three—and its stultifying effect on hobbyists interested in surround sound. A solution has appeared in the form of the U-DIO8 multichannel interface from miniDSP. This takes the USB output of any computer running Windows, Mac OS, or Linux, and converts it to AES/EBU or S/PDIF, thus allowing that computer, acting as a server/player, to drive three or four two-channel DACs, which appear to be as common as worms after a rainstorm. While noting that the U-DIO8's output is limited to 24/192, KR tested it with several different two-channel processors and observed that "the sonic signature of each model of DAC remained audible," and concluded that miniDSP's new interface is "as indispensable to multichannel audio as a cream filling is to an Oreo." In his November 2018 column, Kal wrote of using the U-DIO8 to wrangle a trio of Benchmark DAC3 HGCs, with interesting and, at times, musically stunning results. (Vol.41 Nos.9 & 11 WWW) NAD M28: $5499
A seven-channel power amplifier that shares the same NAD Purifi-Eigentakt class-D output modules as the two-channel C 298—see "Two-Channel Power Amplifiers" —and offers 200Wpc. KR was impressed by the M28, commenting that, compared with his previous reference multichannel amplifier, a Bryston 9B-ST THX, "the treble seemed more delicately detailed while the upper low frequencies were a bit better defined. In multichannel, the M28 created a somewhat greater sense of envelopment with both 5.1 and Atmos content." (Vol.44 No.6 WWW) Okto dac8 PRO: €1289 $$$
An 8-channel DAC with USB input and output, 8 channels of AES/EBU input, 8 channels of balanced (XLR) analog output, a headphone output, and a choice of seven reconstruction filters, the made-in-Prague dac8 Pro so impressed KR that he bought the review sample. JA's measurements indicated that, with just over 20 bits of effective resolution and vanishingly low linearity error and distortion, no compromises had been made to pack eight D/A channels into the Pro's slim chassis. (Vol.43 No.12, Vol.44 No.2 WWW)
In recent years, KR has written about the Trinnov MC Optimizer, a processor that impressed him with its ability "to move, at will, the sounds of instruments around the soundstage." Now the Optimizer exists as a suite of DSP software inside the company's Altitude 32 preamplifier, which Kal reviewed as the Altitude 32-816. (The model number denotes this version's eight-channel capability and 16 outputs.) While bemoaning the product's weight (32lb), complexity, and most of all, its price, KR noted that the Trinnov's capabilities are such that "its limitations are inconsequential" and that, as a preamp alone, the Altitude 32 offers transparency and tonal precision competitive with those of any preamp, A/V or not. (Vol.42 No.7 WWW) B: Essence Evolve II-4K HDMI v2.0 Multi-Channel DAC: $349
The Evolve II-4K is that rarity in high-end audio: a bargain-priced niche product. In this case, the niche is the one reserved for D/A processors capable of extracting and decoding the high-quality audio embedded in an HDMI video stream, while sending the video content direct to the user's display. KR put the little Evolve II-4K to work in a couple of settings and was "stunned that it sounded so good," adding that, although the Essence DAC didn't sound quite as good as his exaSound e38, "it was not shamed." (Vol.42 No.7 WWW) Parasound Halo A 52+: $3999 ★
The Parasound Halo A 52+ five-channel power amp offers 180Wpc into 8 ohms or 255Wpc into 4 ohms. (When used as a two-channel amp, those power specs are respectively bumped up to 225 and 350Wpc.) This John Curl—designed amp operates in class-AB and offers both balanced and unbalanced inputs—although, as KR observed, it can't be used with both types of input cables connected simultaneously. That and the amp's 55lb weight were the only aspects of the Halo A 52+ that didn't fully delight KR, who noted sweet, pure tones from strings, freedom from blurring of individual voices or instruments in dense ensemble recordings, fine bottom-end extension, and "all [the] necessary juice no matter how loud I turned it up—and I turned it up loud." (Vol.41 No.5 WWW)
See "Power Amplifiers." (Vol.45 No.11 WWW) Topping DM7 8-channel D/A processor: $599.99
See "Digital Processors." (Vol.46 No.1 WWW) Deletions
Hegel C53, NAD M17 V2i, not auditioned in a long time.
