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Thanks for such an informative review. But is this cable brand still iin business since you mentioned the company is no longer in existance. Are they availabel for purchasing?
DO did not exaggerate
Editor: Dick Olsher's February 1991 review of the Lindsay-Geyer magnetic cable interconnect was technically beyond my comprehension. His conclusions about this cable were so dramatically in its favor as to generate disbelief; was this another example of the kind of literary excess not uncommon with Stereophile writers? Yet one could not dismiss a man of his credentials.
My Adcom preamp and amplifier are connected with a very well-known brand of cable. I bought a Lindsay-Geyer interconnect and performed comparisons using the same record, alternating the existing interconnect and the L-G between these two components.
The result? The L-G performed so dramatically better that I kept doing the listening test again and again. It didn't seem likely to me that merely substituting an interconnect could produce such improved clarity. It seemed that any aspect of listening one chose to consider was significantly improved. I admit it: Mr. Olsher did not exaggerate.John Guenther, Stuart, FL
Never mind the whys and wherefores
Editor: In his June follow-up on the Lindsay-Geyer interconnects initially reviewed and praised by Dick Olsher, John Atkinson presents test reports made in order to prove or disprove claims by David Lindsay as to why his highly magnetic material should behave in a superior manner to other kinds of interconnect materials.
Not being able to prove Lindsay's claims, one may indeed walk away from this follow-up with an overall negative impression of the L-G interconnect; too bad, should that be the case. Regardless of the whys and wherefores of the L-G technology, this is a superior product, competing easily with interconnects costing at least five times as much. That Mr. Lindsay has come up with such a cost-effective means for producing a true high-end cable should be cause for celebration!
Besides, when did you guys attempt to prove the claims of other cable manufacturers (Cardas's "Golden-Section Ratios," etc.)?Stewart Glick, Springwater, NY
Thanks for such an informative review. But is this cable brand still iin business since you mentioned the company is no longer in existance. Are they availabel for purchasing?
Couple things. One is that High Fidelity Cables also employ mu metal as conductor. As well as magnets in design of their cables. Two, drift velocity of electrons in a conductor is extremely slow, about a foot per hour, whereas the audio signal travels at a high percentage of the speed of light in a copper conductor due to the fact that the audio signal is comprised of photons. Photons are the only particles/waves capable of lightspeed in a vacuum, in fact they must travel at lightspeed as their speed is a constant. In a medium they travel at some large fraction of the speed of light. All electromagnetic waves are comprised of photons, everything from X-rays to radio waves to the audio signal.
Dear Sir,
While it is a fitting addition to your narrative, your comment that.
But it was later discovered that Eddington's results were fortuitous.
is incorrect.
This trope has been dealt with and put to rest as far back as 2007 with the final analysis showing that Eddington did not allow any personal bias to influence his results. This has been published in one of the more prestigious peer-reviewed journals — Nature; there has been no refutation since. It is now the accepted version of history and, is indeed taught as such in physics.
https://www.nature.com/news/2007/070910/full/news070903-20.html
While the trend to occasionally ignore scientific information is disturbing but is, however, par for the course, it is not befitting a publication such as this to promote information that is wrong. It would be much appreciated by the general readership if this error were corrected.
Respectfully,
T.S. Gnu
It appears to me that the author says "The experimental errors associated with his photographic plates were such that he could just as easily have obtained a negative result". At no time do I read that "personal bias" was the part of the message. I would interpret this as the experimental method used at that time was not as accurate as we may be able to do in this day and age. However, perhaps my interpretation of the author's writing/intent is incorrect, but I believe the words speak for themselves, bias intent is not mentioned.
Cheers,
Terry
You may perhaps read the article again if "at no time" you read what was pointed out in my post. In particular, you may find it useful to refer to:
The observer structures and interprets the data in accordance with his cognitive or theoretical framework. A scientist's preconceived notions, or theoretical view he is out to prove, will provide cues as to which data are essential or on how to pattern the data in order to support the theory.
A comment that the editor has, interestingly, now added a footnote to in an attempt to subtly establish grounds for argument from authority. I have, however, provided a peer reviewed reference rather than add my own substantial bonafides and degrees in physics.
Whilst I respect and admire the authors contributions to audio reporting, vague references to being "a physicist at Los Alamos" without more detailed background detract more than they add. My own work at present in JPL should not give me any more, or less, credibility. You may also have overlooked the line immediately following.
Thus, the data are imprinted with an unconscious subjective bias.
If "personal bias" were not part of the message, then the message ought not to be presaged by the aforementioned buildup. Also, while the author writes
The experimental errors associated with his photographic plates were such that he could just as easily have obtained a negative result.
And states that the results were "fortuitous," at no point is there mention of the fact the arrival at the (correct) conclusion was anything but fortuitous, although there is an implication to the contrary.
There is also a logical fallacy in the comment
The simplistic reduction of such an attitude leads to the following dictum: If it exists, it can be measured. The corollary of which is that if something cannot be measured, it does not exist
The corollary is a simplistic, and incorrect, reduction. The correct view is that if something cannot be measured, it is what Rumsfeld referred to as either a known unknown or an unknown unknown. Trotting out these convenient tropes to denigrate established scientific process is at best misguided, and at worst misleading, diminishing what we have accomplished as a species. This is the disturbing point that I addressed in my original post.
With respect to the questions
But how can you know a priori all of the factors which impact sonic performance? And at what level do these factors make an audible difference?
We don't. Possibly lower than (or in a different arena to) what we measure. I agree with the author on the existence of the gaps. I do not think that an agendum undermining Eddington's work (and scientific approaches in general) is necessary to make the point. I would say that this approach, in the authors words.lacks imagination" and lowers the tone of discussion.
Since English is not my first language, the effort to write a short post instead of a long one is a bit higher than the effort it would take a reader to peruse the long post. I would like to express my gratitude, in advance, for the readers indulgence to that effect.
Respectfully,
T.S. Gnu
A comment that the editor has, interestingly, now added a footnote to in an attempt to subtly establish grounds for argument from authority.
"Now"? This footnote was published as part of the original 1991 review and has always been included in this website reprint.
John Atkinson
Editor, Stereophile
" This trope has been dealt with and put to rest as far back as 2007" etc.
You do appreciate that this article is dated February 1991 ? I doubt that Dick Olsher had the ability to foresee the orthodox opinion of 16 years in the future.
I trust you do appreciate that the column was posted in this space on the web in 2018 without correction or comment from the editor. While Olsher didn't have the luxury of foresight, Atkinson does have the luxury of hindsight. A magazine website and editor do have the obligation of presenting facts as they are at the time of online publication if they devote space to an article published online at the time of online, you would agree? Else it is merely propagating falsehoods.
With respect to your comment title, it's not the problem with time, but the problem with the space devoted to propagating an (in retrospect) incorrect, or perhaps ill-represented, view. I hope you understand that this may be viewed as a particularly vexing problem especially when considering the image heading the article
Regards,
T.S. Gnu
In many cases it's best to read history without attaching commentary, unless there is a clear danger of accepting facts that have been proven false in the years since. I don't see such a danger here, because the article lays out the areas of investigation clearly, and the date is prominently noted at the top.
Ah yes the old, "I don't see a danger, therefore there is no danger" premise. Makes it a bit easy to be caught out by the existence of known and unknown unknowns there. Thanks for the insight and example, though.
The actual danger is in propagating falsehoods, as you said. But who is propagating those falsehoods? I suggest it's persons who we don't know who they are.
As mentioned, your support for Messrs Dunning and Kruger is well received.
This was all very interesting until I hit this:
'We all know that EM signals propagate at the speed of light—but that's true only in a vacuum. In copper at 1kHz, the signal speed is a relatively pedestrian 13 meters per second."
Do you really believe that signals propagate through a copper wire at ~29 miles per hour?
Do you really believe that signals propagate through a copper wire at ~29 miles per hour?
Please remember that the audio signal actually travels in the dielectric surrounding the conductor, penetrating the conductor in a frequency-dependent manner. See www.stereophile.com/reference/1095cable/index.html.
John Atkinson
Editor, Stereophile
You seem to be confused regarding signals, electromagnetic fields, maybe electron drift, and dialectrics.
A "signal", audio or not, will travel along a copper conductor at about 60% of the speed of light 'in vacuo', due to copper having a higher density than a vacuum, which of course doesn't have a density. Say 100,000 miles per second, NOT 29 miles per hour.
You don't agree? Think about this. The signal will still travel along the copper wire at that speed even if there is no dialectric at all, such as a bare copper wire in space.
Thus your "the signal actually travels in the dialectric" is wrong - what happens in the dialectric (if any, as above) is merely a side effect of the signal travelling in the copper conductor.
Unsurprisingly, your question has not been given a direct yes or no answer. Possible reasons would include an inability to differentiate between propagation velocity, Fermi velocity, and drift velocity amongst a myriad others. Confusion leads to some interesting conclusions, some of which best ought not to leap to without the aid of a parachute.
The number quoted is correct for A velocity; just not signal velocity, because that, as Pauli once said is not...even...wrong.
Thank you for the reference, John.
About a third of the way down the second page, the author gives an expression for propagation velocity. Unfortunately, the expression given is for “phase velocity” which is a different quantity altogether. True propagation velocity or group velocity has no frequency dependency. The frequency dependent effect you mention is that of attenuation.
if the signal hadn't already passed through 100 meters of typical cables before it got to its final place on the recording. We need a term to quantify cable distortion that is likely on the recording itself. How about Belden Meters. If the average recording has 100 BMs worth of distortion, can we really expect to hear an appreciable difference if we decrease the interconnect distortion from 1 BM to 0.15 BMs? I'm skeptical.
One wonders whether MQA might help with this blurring
If we accept a recording as a done deal, to possibly be superceded by a remaster years hence, then the question becomes "Does my cable make a difference, and is the difference positive on most of my recordings?" Or I could phrase it as "Is there a cable that sounds neutral on the vast majority of my recordings?" The problem with changing any component is being certain of a neutral or positive effect, which is not just a boosted treble or agreeable distortion that "sounds better". If I were putting together a new system or adding new speakers, I wouldn't bet the farm on a cable choice made within the first few days.
This article dead on! Have gone through many cables over 20+ years, and always go back to the L-G. Modified the connectors with copper Eichmann Bullet RCA plugs (plastic connector housings)). Yes, ground loop needs to be managed at times. When accomplished, they are simply the best. Have compared them to Nordost, Analysis Plus, Shindo, and many others. Nothing comes close. Mine are .5 meter long. Not always good as they are ultra revealing. Ruthlessly will reveal weaknesses in your system or the recording. Keeping this set. Longest lasting component I have owned.
This old article but brings up some ongoing issues in high end audio writing.
It is typical of the “Science is great and all...BUT!...” article. Lip service is paid briefly
to the scientific enterprise - “it’s not like you have to be a flat earther to be an audiophile” - and then this is used to launch into some version of “science doesn’t know everything” where
enough suspicion is cast on the limits or problems in science to give space for whatever dubious
report you are about to read.
Mr. Olsher starts out sounding like a skeptic, dismissive of “pseudoscientific technobabble” right up
to when he “tests” the claims of the cable maker. Then he relies on putting the cables in his system and listening with nary a thought about controlling for the effects of his imagination.
The same story seems to run through the manufacturer’s claims. It all sound “sciencey” right up until one asks for actual scientific methods of confirmation. David Lindsay
had essentially proposed a hypothesis based (it seems) on known measurable phenomena. Yet we see nothing in this report about the measured results from Lindsay showing at least he can measurably produce (or reduce) the effects he claims. That would be step one in Lindsay supporting his hypothesis. It would also include letting others know how to reproduce the measurements. Yet no measurements are given and John A was left to his own devices to figuring out how to test Lindsay’s claim. Sure enough, John could not confirm Lindsay’s claims via measurements.
But of course the reviewer “heard” this mysterious effect nonetheless, using only his own subjective impressions which are miraculously immune to all the known bias effects.
And so it goes, to this day, in high end audio reviewing. When there is no objective confirmation, well, too bad for science, my ears don’t lie!
I don’t think the article is “dedicated to the skeptics” as Olsher claimed so much as to the audiophile choir.
(Being an Audiophile and long time Stereophile reader I’m one of the choir, but this article certainly didn’t speak to the skeptic in me)
But of course the reviewer “heard” this mysterious effect nonetheless, using only his own subjective impressions...
I am not surprised that the reviewer felt the L-G magnetic cables sounded different from conventional cables. How could they not? And it is always possible that in the context of specific system, that difference is perceived to be an improvement.
See, for example, the case of single-ended triode amplifiers, which can give large frequency response changes, depending on the loudspeaker's impedance curve, and can introduce significant amounts of second-harmonic distortion. As I wrote back in 1995 in a Cary review, these amplifiers are actually tone controls, and no-one would argue that a tone control won't have audible results.
John Atkinson
Editor, Stereophile
“How could they not?”
I’m not sure. I looked at your measurement section which seemed to suggest
capacitance effects of this cable (eg high frequency roll off) would only come in to play
in certain systems. Did your measreuments determine that the LG cables would have
likely audible variation in Olsher’s system? These things would be nice to know for audiophiles
trying to sift manufacturer and reviewers claims from the variables (I.e. if the sonic change Olsher
heard was more likely due to capacitance attenuation than the phenomenon claimed by the
manufacturer, that’s obviously relevant insight to gain).
I certainly did appreciate your efforts to evaluate the technical claims made for the cable.
Did your measurements determine that the LG cables would have likely audible variation in Olsher’s system?
I am afraid I can't recall what components Dick Olsher was using when he prepared this review at the end of 1990, and contrary to Stereophile's policy, other than the power amplifier and speakers, he didn't say what products he used in the evaluation.
But the high capacitance may have been a factor, as was the tendency of the cable to pick up noise and hum. And I would not be surprised if the cable increased the level of non-linear distortion. But 27 years after the review was first published, I can only offer conjecture.
John Atkinson
Editor, Stereophile
It didn't prevent him writing pseudo-scientific technobabble, the very thing he accuses others of.
What's more 'skin effect' doesn't happen at audio frequencies.
And if he thinks his page 1 comments are an accurate description of how 'science' works he's wrong.
Also his "Maxwell" comments don't demonstrate a thing. Light is both waves and 'corpuscular' as they called it in Maxwell's time.
He is wrong about Eddington too. He said he needed further results, and he got them, as T.S. Gnu's reference shows.
[flame deleted by John Atkinson]
After two pages of utter nonsense I didn't waste my time reading beyond page 2.
Hi.
Are you sure?
Apparently you only know your side of knowledge of 'skin effect'
May I suggest you to learn more about its the other side!
"Science is about the search for a hidden reality"
Lindsay-Geyer Highly Magnetic Cables
Review by Dick Olsher on May 08 2018 Stereophile.
Read this, pal:-
"History shows us clearly that science does NOT provide certainty. It does NOT provide proof. It only provides the consensus of experts, based on the organized accumulation & scrutiny of evidence."
written by Naomi Oreskes & Erik Conway in their book "Merchants of Doubt".
FYI, I believe I know wires & cables more than many many out there as I had been involved in the electrical power industries for over 2 dacades.
Listening is believing
Jack L.
Canada