poll
One of the age-old audio battles is whether or not a component needs to be "broken-in" first to sound its best. Does it help to break in a component and, if so, what is the most dramatic example you've experienced?
One of the age-old audio battles is whether or not a component needs to be "broken-in" first to sound its best. Does it help to break in a component and, if so, what is the most dramatic example you've experienced?