by id

My thirst for vinyl can be blind and wild. I know this when I find myself dashing through the midday sun, from the Stereophile office and up Madison Avenue, into Grand Central Station, onto the 6 train to Astor Place, and into my favorite record shop, Other Music, like a man in lust or love or, worse yet, possessed wholly by need. But unlike some of my more dogmatic friends and colleagues, I have no real problem with the Compact Disc. It's just that CDs often lack a certain intangible charm, the ability to make my heart race.

The enormous sky above Brooklyn's Prospect Park was a dazzling watercolor. Warm, soft shades of yellow, orange, and violet swept across a saturated canvas as the sun slowly dissolved into the horizon and day reluctantly gave way to night. It was the second week of August and, though no one wanted to admit it, the days had become noticeably shorter.

I walked alone through turnstiles that led to the large band shell where thousands of people would congregate for the final night of "Celebrate Brooklyn," a summerlong series of outdoor concerts. This year's season included performances by a wonderfully diverse and talented collection of artists—some obscure, some renowned, all worthwhile: Andrew Bird, Larry Harlow, Animal Collective, Real Estate, The Feelies, Los Lobos, The Bad Plus, Dr. John, and dozens of others.

We were sitting near the pool, in a cozy, private cabana on the outdoor terrace of the Trump Plaza Residences in downtown Jersey City, surrounded by all kinds of beauty: To the north, the old Powerhouse Building stood proud, strong, and silent; to the south, Exchange Place's Colgate Clock was just beginning to glow, extending its tireless arms toward Lower Manhattan; to the east, the Empire State Building soared into the humid evening sky, its white-lit spire making thin veils of the summer clouds; and to the west, the redbrick row houses of Harsimus Cove hummed with the sounds of quiet domestic life. Before us stretched a long table covered with delicious treats: cheeses, meats, and crackers; olives, grapes, and hummus; bottles of beer, vodka, and wine. We were at Shana's place, with Natalie, Nicole, and Daniela—Kristin was there, too. And all I could think about were loudspeakers.

"I'm going to have my birthday party here!"

We were at Lucky 7, our favorite little bar in downtown Jersey City, and Natalie was shouting above the loud music.

"Cool!" I shouted back.

"Would you want to DJ?"

"Huh?"

"WOULD YOU BE THE DJ AT MY BIRTHDAY PARTY?" She smiled brightly.

"Are you SERIOUS?"

"Yes."

"HERE?"

"Yes!"

Around midnight, Natalie decided to move the party from her and Nicole's apartment (see last month's column) to our favorite local dive, Lucky 7, just a few blocks away on the corner of Second and Coles, in Jersey City. We threw wide the old red door and stepped into the stench of stale beer, the sound of cheap speaker cones tearing at the seams. I love Lucky's as much as anyone, but the music there on a Saturday night is always too goddamned loud.

Let me hear your body talk.
—Olivia Newton John

But first a confession: I'm not the hip young man you might like me to be (or the one I might like me to be). I'm actually sort of old-fashioned. While my taste in music is nearly as uninhibited and adventurous as that of anyone I know, I prefer to enjoy that music in ways far more restrained and much less modern. I think I would have been right at home in the 1950s, wearing Ray-Bans and Levi's, listening to (and loving, equally and deeply) the music of both Jack Scott and John Cage, and playing my records on a record player.

I heard from Kelli recently. She said something about moving all of her music into the clouds.

"Huh?"

"Cloud music," she said.

Dinner with Natalie and Nicole was still three hours away and, thanks to the Okki Nokki record-cleaning machine that I wrote about last month, I had a half-dozen newly cleaned LPs begging to be played. A gray and listless day had somehow blossomed into a clear, brilliant night filled with promise and anticipation. Outside, tattooed against the dark violet sky, a strange, enormous moon hovered over Jersey City, and flooded my listening room with enchanting white light. It was time to enjoy my new records and better acquaint myself with the Wharfedale Diamond 10.1 loudspeakers ($350/pair), and the only way to do that would be to compare the latter to a known quantity: the PSB Alpha B1 ($279/pair). John Atkinson had reviewed the PSBs in our May 2007 issue, and admired their naturally balanced treble and superb midrange. Soon after, the PSBs won our "Budget Product of the Year" award, and I could not resist the urge to buy a pair. I've lived happily with them ever since, most appreciating their ability to make sense of the densely arranged, sometimes poorly recorded noise- and psych-rock albums I tend to lust after. How would the Wharfedales compare?