Stephen Mejias

Marantz America will sponsor German classical and rock violinist David Garrett through his 21-city tour of the United States. The tour unofficially opened with a “flash mob” performance at New York City’s Eataly restaurant.

John Vanderslice’s seventh studio album, White Wilderness, marked by the enchanting, fluid maneuvers of the Magik*Magik Orchestra, was released last Tuesday. The entire album&#151nine twisting, coiling songs, spanning 31 minutes&#151was recorded in just three days, but sounds as purposeful and carefully conceived as a special gift.

Meanwhile, Vanderslice has another gift up his sleeve:

The February 2011 issue of Stereophile is now on newsstands. You want it, you need it, you love it. A quick look at what’s inside:

I’ve been listening to Kompakt’s excellent Pop Ambient 2011 compilation, which opens with ANBB’s arresting “Bernsteinzimmer” from their album, Mimikry, and ends with Thomas Fehlmann’s interpretation of Gustav Mahler’s magnificent Symphony No.1. This is heavy stuff, and it forms the perfect bridge from the chaos of Las Vegas and the Consumer Electronics Show to the cold misery of mid-January in New York City. There’s warmth in this music, and it has a sort of transportational power. Meaning: It gets me the hell out of here.

As we recover from our holiday parties and work through the darkness of the post-holiday blues, the March 2011 issue is moving, invisibly, to our friends at the pre-press and we prepare for the 2011 Consumer Electronics Show in glitzy Las Vegas.

Bruce Springsteen's The Promise is fascinating not only because of the high quality of each of its 21 "lost" tracks, but because of the way it bridges 1975's Born to Run and 1978's Darkness on the Edge of Town.

The January 2011 issue of Stereophile is now on newsstands&#151a whole new year, a whole new volume of your favorite hi-fi magazine!