Perhaps the greatest strength left in the music business these days, and the major labels in particular, is their catalogs of recordings and on the reissue side of the business, no one has been better at exploiting a catalog and actually creating new releases of older unreleased music than Sony Legacy.
His screams, rapid fire delivery, and end-of-line trills in tracks like “Lucille,” “Jenny Jenny” and of course, “Tutti Frutti,” every one recorded with an overloaded microphone, are impassioned in the extreme.
What keeps Waterfall, the band’s seventh album and the first in four years, from sinking into a kind of earnest, overly precious, 1970s lite rock muck is that James’s many influences are a mist and not a downpour.
Deep into what Geddy Lee now calls their “kimono period,” the band wrote and recorded, 2112, ("Twenty One Twelve") a record that makes them incredibly pretentious dorks or prog rock gods (in kimonos).
While the mass ogling was in full swing and the sickly sweet aroma of jittery, prepubescent testosterone hung heavy in the classroom, I was equally interested in Miss Wagner’s musical selections.
Vinyl Rage! Prospect Expressway
Jammed With Overamped Record Buyers Eager
For Adam & The Ants, Gwar and Jethro Tull!!! It’s
Record Store Day In Brooklyn!!!