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Memorex Announces CD-R Media Price Increases

One argument for the record industry's disappointing sales last year is a combination of high prices for official CD releases coupled with cheap prices for computer-based CD recorders and CD-R blanks. It doesn't look like retail CD prices will be coming down anytime soon, but luckily for the music business, CD-R prices are going up.

Added to the Archives This Week

Jonathan Scull asks "What's it take to compete on the bleeding edge of digital?" Apparently more than what's offered by the "large international manufacturing and marketing concerns stalking the earth today." Will the Accuphase">http://www.stereophile.com//digitalsourcereviews/340/">Accuphase DP-100 Super Audio CD transport & DC-101 Digital Processor make the cut? Scull's incisive report reveals all.

SDMI Applies Legal Pressure to Suppress Hacks

Back in September, the Secure">http://www.sdmi.org">Secure Digital Music Initiative issued a public challenge that offered cash rewards for successfully uncovering and removing watermarks from recorded music. The challenge">http://www.stereophile.com/news/10878/">challenge was met by a number of hackers, most notable among them Professor Edward Felten of Princeton University's Computer Science Department.

Watermarks Added to Broadcast Audio?

Amid news that its watermark technology for DVD-Audio may have been compromisedhttp://www.stereophile.com/news/11026/">compromised;, Verancehttp://www.verance.com">Verance; nonetheless announced last week the launch of its "ConfirMedia" watermarking service. The company says that ConfirMedia will monitor and report the airplay of encoded commercials, music, and programs broadcast by television, cable and radio stations in the 100 top US markets and on the national feeds of major broadcast and cable television networks in the US.

First Watermarking and Now Fingerprinting?

Having previous experience working for the CIA or the KGB may be a bonus on the resume of any aspiring audio industry applicant, it seems. In an effort to stymie the illegal copying and distribution of digital song files, record companies and hardware manufacturers have turned to increasingly complicated tracking technologies such as MPEG-4 and watermarking. The most recent addition to the anti-pirate bag of tricks: "fingerprinting."

Long Struggle Pays Off for Emusic.com in $24M Buyout

During the past year, hardly a day has gone by without headlines announcing the latest twist in the fate of embattled free music service Napster.comhttp://www.napster.com">Napster.com;. Lost in the hysteria was Napster's tiny rival Emusic.comhttp://www.emusic.com/">Emusic.com;, a three-year-old online music venture that always charged its subscribers for downloading tunes, and always paid the copyright holders. For news appeal, Emusic's paltry 10,000 subscribers and languishing stock price didn't compare to Napster's reported 75 million users and major league court battles.

Digital Audio Watermark Watch

In the perfect digital future, audiophiles would be able to drink from the purest of high-resolution audio datastreams with no worry that someone upstream had polluted the current. But in the real world, content providers and hardware manufacturers increasingly conspire to dirty the flow a little and limit unauthorized consumption by controlling the technology needed to filter out their toxic additives.

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