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Universal Goes Universal

Last year in late October, Universal Music Group finally announcedhttp://www.stereophile.com/news/11476/">announced; its first set of SACD titles and the high-rez format's supporters jumped for joy. Then, at the January 2003 Consumer Electronics Show (CES) in Las Vegas, Universal stood on the podium next to Sony and announced several key SACD releases from the Police, Peter Gabriel, and others.

Bootmarks Are Coming

It's no secret that the music industry has added watermarking to its arsenal in an effort to restrict how audio content is used. With SACD, DVD-Audio, and now">http://www.stereophile.com/news/11604/">now CD, audio watermarking has been used mainly for digitally stored content. But the music business also has problems with live concert bootlegs as well as bootlegs surfacing after special broadcast events.

RIAA in Several Battles

The US music industry is fighting a war on several fronts—industrial piracy in foreign countries, casual piracy in the States, unhappiness among consumers, and disagreements with artists (see related story).

Linn Komri Turns Pro

Audiophiles know Linnhttp://www.linn.co.uk">Linn; as a high-end consumer electronics company, creator of such products as the legendary LP12 turntable, compact amps, preamps, and speakers, and the innovative Kivorhttp://www.stereophile.com//digitalsourcereviews/497/">Kivor; hard-disk music server.

Watermarked CDs?

Record labels have found that CDs with built-in restriction technologies have not worked in all CD players, have been incompatiblehttp://www.stereophile.com/news/11341/">incompatible; with some computers, and have engendered considerable backlash from irate consumers. But why should that stop them?

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