News

Marquis">http://www.marquisclassics.com">Marquis Classics, a Toronto-based CD label specializing in classical, jazz, world, and crossover recordings, recently issued its second batch of "Orion">http://www.marquisclassics.com/orion.html">Orion Master Recordings." Drawn from the large classical catalog of the defunct Orion LP label, the CDs include prized rare recordings by Robert Silverman, Steven Staryk, Joel Krosnick, Leonid Kogan, and other fine artists.

Oooohh! Aaaahh! Coochy-coo! are not the usual spontaneous reactions from hard-boiled audio journalists to the unveiling of a hi-fi component. Nor is the Silverstone Circuit, the self-proclaimed Home of British Motor Racing, the usual venue for such a launch. But the news that UK audio manufacturer Meridianhttp://www.meridian.co.uk">Meridian; and Ferrari were cuddling up together on a joint project was enough to drag yours truly halfway across the country to deep Northamptonshire on a miserably wet February morning.

Audiophiles of a certain age may very well have first tasted high-end sound by way of Linn's 1972 Sondek">http://www.stereophile.com/turntables/1103linn/">Sondek LP12 turntable and/or Naim's 1982 Nait">http://www.stereophile.com/integratedamps/660/">Nait integrated amplifier. There aren't many audio manufacturers that have managed to keep components in production for 25 years (35 for the Linn), but the two venerable British designs have been continuously upgraded over their lives, keeping them competitive.

John Atkinson forwarded a message to me on February 26 from reader Peter Clissold: "The Miller and Kreisel website is indicating that operations there are closed."

The Milwaukee Symphony Orchestra, which last June became one of the first orchestras in the US to launch its">http://www.stereophile.com/news/101005milwaukee">its own e-label, has now become the first orchestra to offer download-only">http://www.milwaukeesymphony.org/symphonystore/othermerchandise.asp">do… binaural recordings. The binaural process, whose benefits are most apparent to those who listen through headphones, is based on the concept that the best way to reproduce the concert experience is to make sure that the recorded sounds that go into the listener's ears are as close as possible to what would be heard during an actual concert.

It's funny how things sometimes have to hit you in the head before you actually notice them. When Jon Iverson and I were cruising CES 2007 in January, we were stopped in our tracks by Sooloos's">http://blog.stereophile.com/ces2007/107soolooscdslot/">Sooloos's media server technology. Sooloos got the whole no-compromise audiophile approach, but what really knocked us out was how thoroughly it utilized the metadata from AMG (All Media Guide): Feed the the Sooloos server a disc and it would access AMG's database and collect artist name, album title, track names, cover art, genre, mood, side-man information, and even "associated concepts."

Carson City, NV loudspeaker company Wisdom Audio has been aggressively reorganizing itself lately. The first part of the program was re-uniting founder Tom Bohlender with erstwhile partner David Graebner to refine and perfect the magnetic planar speaker technology used by Wisdom's hybrid planar/dynamic loudspeakers. Then, in October 2006, the company appointed industry veteran Mark Glazier presidenthttp://stereophile.com/news/100906glazier/">president;. On February 8, Glazier announced that Jon Herron would join the company as vice president of sales.

We wrote last week about the increasingly">http://www.stereophile.com/news/021207drm/">increasingly heated debate over DRM copy protection, with everybody from Steve Jobs to the RIAA weighing in on the subject. This week was just as wild and whacky on that front.

Like most Stereophile readers, we have grown accustomed to seeing Barry Diament's name on superb-sounding recordings, since he has mastered albums by artists from AC/DC to Warren Zevon—and every letter in between. When the magazine still had its editorial offices in Santa Fe, Diament dropped by one afternoon to say hi, so now we feel like we can brag, "Hey, we know that guy!"

Recordings that deliver the benefits of the high-resolution SACD format scored big at the 49^th Grammy Awards Ceremony, held February 11, 2007 in Los Angeles. Telarc, which issues virtually all its classical titles and some jazz/blues releases in both DSD-native CD and hybrid SACD surround formats, won two Grammys in classical categories and three in jazz. SFS Media, the in-house label of the San Francisco Symphony conducted by Michael Tilson Thomas, received two Grammys for the seventh release in its ongoing Mahler series of live, DSD-native hybrid surround SACDs. Last but not least, Harmonia Mundi, some of whose titles are available in DSD-native hybrid surround SACD, scored big with the gorgeous choral music of Arvo Pärt.