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Audiophile's Journey

Like most Americans, US audiophiles have little idea how difficult life can be for people in other countries. Imagine facing official censure for possessing some innocuous pop music, or taking 12 years to accumulate the complete works of one of your favorite rock groups. That was life in the old Soviet Union for Stereophile colleague Leonid Korostyshevski, who flew to Istanbul from Moscow on short notice, so we could spend a few days together prior to my embarking on a sailing trip in the eastern Mediterranean. The visit cemented a long-distance friendship established through numberless emails. It was also an in-depth education.

New Hope For Old Sounds

The oldest verified surviving recording is an 1878 tin cylinder of a talking clock (you can hear it at tinfoil.com/cm-0101.htmhttp://tinfoil.com/cm-0101.htm">tinfoil.com/cm-0101.htm;). There's just one problem, however; the recording's surface noise is so pronounced that you can barely hear the featured attraction. Chalk it up to age, imperfect recording media, poor storage, or even to the ravages of mold, but the facts remain the same—we're in danger of losing our audio patrimony: the hundreds of thousands of historical recordings from the dawn of recording.

iTunes, uTunes—We All Swoon For iTunes

On July 11, Kevin Britten of Hays, Kansas downloaded the 100 millionth song purchased from Apple's iTunes">http://www.apple.com/itunes/store/">iTunes music store. Britten spent 99¢ for "Somersault (Dangermouse remix)" by Zero 7 and, in exchange, won a 17" PowerBook, a 40GB iPod, and a gift certificate entitling him to 10,000 iTunes songs (the approximate capacity of a 40Gb iPod). As Apple counted down to 100 million, it also gave "special 20GB iPods" to the consumers who downloaded each 100,000th song between 95 million and 100 million.

Project K622

Since it has been five years since the debut of SACD, one might think that the debate as to where it fits within the audiophile food chain would have been put to rest. But as with most things audio, reality conspires to make rational comparisons between formats tough. One is never sure if two releases on different formats have been rendered from the same source, or, as">http://www.stereophile.com/news/11649/">as we discovered with the recent Dark Side of the Moon hybrid SACD, from completely different masters.

European Triode Festival 2004

Tube fans might want to get their passports in order. We've received word that the European Triode Festival 2004 (ETF.04) will take place in Langenargen, Germany in December. The festival, which describes itself as "a gathering of tube audio hobbyists and professionals," says it will host participants from all over the world.

Added to the Archives This Week

Pay $350,000 for an amplifier?!?!! Michael Fremer takes a deep breath and plugs in the Wavac">http://www.stereophile.com/amplificationreviews/704wavac">Wavac SH-833 monoblock power amplifier in order to hear for himself what he might get if he traded in his house. "When tmh's Jim Ricketts asked me if I wanted to review this eight-box assemblage," says MF, "the first thing I did was laugh at the ludicrousness of the situation. Then I said, 'Why the hell not?'"

Some Rights Reserved

Running counter to the music industry's paranoia concerning the perils of modern digital technology, some musicians want you to share their music—within limits. GarageBand.comhttp://www.garageband.com">GarageBand.com;, which bills itself as "the world's largest musician community," announced June 7 that it now offers the Creative Commons Music Sharing License as an optional tag for all songs uploaded to its website.

FCC Seeks Feedback

For some time now, the truly hip Web-enabled person of stature has shared his or her thoughts with the world via a blog (from web log); these days actors, musicians, and, yes, even politicians are getting into the act.

Restricting CDs, Version 5

The digital audio genie was released two decades ago, before the music industry imagined any need to restrict how music files on a compact disc might be used. The last few years, however, have seen myriad attempts to redesign the digital audio bottle, and then shove the genie back in—with limited success.

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