Headphone Reviews

Sort By:  Post Date TitlePublish Date

Evaluation of Grado Stock and Modified Ear-Pads

This story originally appeared at InnerFidelity.com

Promises Kept
My first post was an exercise in getting all the bits-and-pieces together to create content. In many ways this is my first real post here ... and I want to keep a promise. For years I've said I would measure the effects of the various headphone pads on Grado headphones; well, I am very glad to say finally: here it is.

Sennheiser PX 200-II Headphone and PX 200-IIi Headset

This story originally appeared at InnerFidelity.com

The Sennheiser PX 200-IIi (MSRP $149.95) is a general-purpose headset, ideally suited and convenient for kids, students, and casual home, office, and travel use. It’s light and small, very well built, and will easily survive unending rounds between backpack, computer desk, and kitchen junk drawer. Best of all, it packs neatly into a very small size with a unique folding design making it only slightly larger than a pair of sunglasses when stowed.

Ultimate Ears 18 Pro in-ear headphones

Headphone listening is hot these days, due not only to the ubiquity of the iPod as a music source but also because it is possible to get state-of-the-art headphone playback without having to have stupidly bottomless pockets. A plethora of affordable high-quality headphone amplifiers are available, and high-performance 'phones can be had for a few hundred dollars. Used with a computer or iPod to play uncompressed WAV or AIF files or losslessly compressed FLAC or Apple Lossless (ALAC) files, a headphone-based system can offer the audiophile on a budget seriously good sound.

Music in the Round #45

I remember my first experience with headphones. In 1960, I bought a set of Trimm dual 'phones (less than $5) and rewired them for stereo. The experience was remarkable for several reasons. First, it brought the sounds into my head—I was thrilled with the impact. Second, stereo effects, especially with Enoch Light's ping-pong LPs (eg, Provocative Percussion, Command RS800SD), were striking. Third, I could play them really loud without bothering others. Of course, they had no bass, brittle treble, distorted at high levels, and their wire headband and Bakelite earpieces were uncomfortable. My fascination with this gimmick quickly faded.

Stax SR-Lambda Pro Classic headphones

You'd probably be surprised to learn that headphones are the most common means for listening to music. No, I didn't get that from a book, but from personal observation. I'm referring here to personal portable stereo listening—the ubiquitous Jogman with which a whole generation has retreated into its own private world, isolated from traffic noise, muggers, and, at home, housemates or parents screaming "Turn it down!"

Sennheiser Orpheus HE 90 headphones

While headphone listening remains secondary to that of loudspeakers for most serious listeners, it's still an important alternative for many. And while good conventional headphones exist, electrostatics are usually considered first when the highest playback quality is required. As always, there are exceptions (Grado's headphones come immediately to mind), but most high-end headphones are electrostatic—such designs offer the benefits of electrostatic loudspeakers without their dynamic limitations. Last">http://www.stereophile.com/headphones/koss_esp950_electrostatic_stereop… year I reviewed the Koss ESP/950 electrostatics (Vol.15 No.12), a remarkable set of headphones from the company that practically invented headphones for serious home listening. Here I listen to examples from two other companies, each known for its headphones since Pluto was a pup.

Etymotic Research hf2 & hf5 in-ear headphones

Ah, how the times change. When I reviewed Etymotic Research's ER-4S in-ear headphones in the July 1995 Stereophile, they seemed expensive to me at $330, but well worth that seemingly high price: at the time, they were the best headphones I'd heard. Nowadays, with reference headphones costing well north of a kilobuck, the price of the ER-4S seems relatively reasonable.

Koss ESP/950 electrostatic stereophones

Love 'em or hate 'em, headphones serve a purpose. My first headphones were Kosses, and they were perfect for use in a college dorm. While I've always owned a pair or more over the years, somehow they never became my primary mode of listening, except in situations where using loudspeakers at satisfying levels risked eviction, bodily harm, or both.

YBA Design WD202 D/A headphone amplifier

YBA Design's new WD202 D/A processor and headphone amplifier showed up while I was turning the pages of Don and Jeff Breithaupt's Precious and Few: Pop Music of the Early '70s, recommended by John Marks in his October 2009 "Fifth Element" column. Each page drips with great examples of why the 1970s often wind up on the wrong end of the culture stick (the Osmonds, anyone? Terry Jacks?).

CEntrance DACport USB headphone amplifier

I have built up a large collection of CDs since the medium's launch more than a quarter century ago, along with a modest number of SACDs and a small number of DVD-As. But I find these days that, unless I'm getting down to some serious listening and can give the music my uninterrupted attention, I use iTunes to feed computer files to my high-end rig (footnote 1). I've mostly been using the superb-sounding combination of dCS">http://www.stereophile.com/hirezplayers/dcs_puccini_sacd_playback_syste… Puccini U-Clock and Puccini player/DAC that I reviewed last December to take a USB feed from a Mac mini, but I've also been using the Bel">http://www.stereophile.com/digitalprocessors/bel_canto_usb_link_2496_us… Canto USB Link 24/96 and Stello">http://www.stereophile.com/digitalprocessors/lindemann_amp_stello_usb-s… U2 USB-S/PDIF converters, particularly for headphone listening, when I use one of those two format converters with a Benchmark">http://www.stereophile.com/digitalprocessors/886">Benchmark DAC1 D/A headphone amplifier.

Advertisement
Advertisement
Advertisement