Gramophone Dreams

Sort By:  Post Date TitlePublish Date
Herb Reichert  |  Apr 02, 2020  | 
Almost a year ago, a headphone pal loaned me the Zach Mehrbach–designed ZMF Auteur LTD headphones. He said, "Herb, see if you like these." I took them home and right away thought, Wow, these headphones really disappear!

Nothing about their sound attracted my attention. The only thing I noticed, casually, was how relaxed and unbelievably transparent they were.

Herb Reichert  |  Mar 04, 2020  | 
The image above is not a modernist oil painting. It's an airport x-ray of my friend Jeffrey Jackson's backpack.

Can you identify its contents? Did you notice the red rectangle alerting the inspector of a suspicious object? Do you know what that suspicious object is? Or what it is worth?

That ominous-looking black silhouette is a 1930s-era Western Electric 555W "receiver"—ie, a compression driver for use with a horn. It's about 10" in diameter and weighs around 15lb. It requires a 7V DC/1.4A power supply for its field-coil magnet and would cost about $8000 to replace.

Herb Reichert  |  Feb 07, 2020  | 
When I applied for this job, I wrote a pretend review of the Rogue Audio Sphinx integrated amplifier and emailed it to Stephen Mejias, then Stereophile's deputy editor, who printed it and put it on John Atkinson's desk.

Before I sent it to Stephen, I showed a rough draft to my business agent, Sphere, who said, "Herb, you can't turn this in like this."

"Why?" I asked.

"Because you speak as if you are not an audiophile and think you're superior to audiophiles."

Herb Reichert  |  Jan 08, 2020  | 
Tell me now: When you're there in the scene, watching Lord Voldemort chase Han Solo through the Cave of the Klan Bear, how often do you notice that the sounds you're experiencing are being pumped at you from five black-painted room boundaries, while the flickering-light images approach from only one? Moreover, in a parallel, more quotidian reality, you're sitting upright in your seat, noisily chomping popcorn while absorbing—and processing—massive amounts of sensory data: Did you ever consider the sensual, mechanical, and psychological complexity of a moment like this, and how fundamentally unnatural it is?
Herb Reichert  |  Dec 04, 2019  | 
My current romance with audiophile-quality headphones began in earnest with the appearance, about 10 years ago, of Audeze's LCD-2 planar-magnetic headphones—these predated the company's patented Fazor elements, said to guide the sound around the transducers' magnet structures—and Schiit Audio's original Asgard headphone amplifier. Together, these groundbreaking products rekindled my interest by making headphone listening into something new and exciting—something less distorted, more dynamic, denser, and more intensely lifelike than what I was getting from my speakers on the floor. Best of all, I could listen while lying in bed with my eyes closed.
Herb Reichert  |  Oct 11, 2019  | 
Let's talk about management styles. If you want to run a successful small business, you must first be happy. If your personal goals are to learn and to discover, and you combine those with an intrinsic need to share your achievements and connect with people in your chosen field, you are likely to succeed. Given those qualities, if your business goal is to provide desirable goods and needed services, you will not fail.
Herb Reichert  |  Jul 30, 2019  | 
We were playing some old, cherished black discs when my partner, bb (the 6'-tall Aries artist), declared, "With records you hear touch, and you are not alone." Long pause. "Just holding the cover brings back memories—that's their humanity."
Herb Reichert  |  May 23, 2019  | 
Every time I review a digital-to-analog converter, my memory drifts to the spring of 1983, when the first Compact Discs arrived at Tower Records in New York City. They appeared in the opera section. Sitting next to big, thick boxed sets of opera LPs, these new discs looked truly compact. A few months later, boxed sets of popular opera LPs, in almost untouched condition, began selling in the Tower Annex for $1/disc.
Herb Reichert  |  Apr 04, 2019  | 
I will never forget.

In 1988 I had my first experience with Western Electric 300B tubes. It took place on a quiet, streetlights-and-snow night at my friend Ryoichi's apartment on Riverside Drive, in Manhattan.

I had never heard of the late Japanese amplifier designer Ken Shindo, of Shindo Laboratory. But that evening, Ryo's audio system was all Shindo: a hammertone gray Shindo-restored, grease-bearing Garrard 301 turntable sitting on a Shindo plinth of glossy wood, with a Shindo-modified Ortofon tonearm and SPU cartridge, a Shindo moving-coil step-up transformer, and a Shindo preamplifier with a moving-magnet phono stage.

Herb Reichert  |  Jan 29, 2019  | 
Every time I fly to California, my brain gets stuck on the lyrics of that Arlo Guthrie song: "Coming into Los Angeles / bringing in a couple of keys . . ." Even landing in San Francisco, I'm always smiling, because I've never been busted in California.

Which means that I'm a lucky guy. In this life I have acquired nothing of material value, but I did see Howlin' Wolf and Little Walter in Chicago in 1962, at Theresa's. I spent the whole Summer of Love (1967) in San Francisco listening to music. And because I lived only a few blocks away, I witnessed the Ramones' first gig at CBGB, in 1974.

Herb Reichert  |  Dec 13, 2018  | 
I needed one black tiddledywink (not provided) to use Dr. Feickert Analogue's three-speed, two-motor, two-armboard Blackbird turntable. The tiddledywink was for covering the Blackbird's painfully bright power-on LED so that it didn't blind me when I cued up a record. The first night, in my dark listening room, this tiny indicator sprayed the wall behind and the ceiling above with more light than a bright-emitting 845 vacuum tube.
Herb Reichert  |  Oct 04, 2018  | 
The days were long, the strawberries ripe, but it wasn't quite summer. It was, however, a perfect night for Otis Redding and Carla Thomas singing the Lowell Fulson–Jimmy McCracklin classic "Tramp," on a 7" 45rpm single (Stax 45-216).

Otis: What you call me?

Carla: Tramp! You don't wear continental clothes, or Stetson hats.

Herb Reichert  |  Jul 24, 2018  | 
Before I spin this 23rd edition of "Gramophone Dreams," I must ask: How many of you are using zip-cord as your speaker cables? RadioShack interconnects? Those black universal 18/3 power cords that come standard with virtually every audio amplifier?

AudioQuest Storm Tornado/High-Current power cord
A few months after I wrote about AudioQuest's Niagara 1000 power-line conditioner ($1000), my friend Sphere asked if I'd ever then removed the Niagara from my system, listened, and still thought it improved the sound.

Herb Reichert  |  May 31, 2018  | 
Brooklyn, 1979: Fridays were fierce. After a week of doing construction, I would gobble Wild Turkey at the Spring Lounge, then fall asleep on the F train with a fold of cash and a Sony Walkman stuffed in a chest pocket of my paint-spattered Belstaff Trialmaster jacket. Usually I missed my York Street stop by only a few stations, but occasionally I'd wake up at sunrise on Saturday at the last stop: Coney Island. I didn't mind. It was restorative to shuffle the deserted boardwalk, listening to the Ramones' Road to Ruin or Television's Marquee Moon.
Herb Reichert  |  Apr 05, 2018  | 
I spent a snowy New York City evening at Rhapsody Music & Cinema, talking with the proprietor, Bob Visintainer, and watching my friend Michael Trei install a Lyra Etna SL moving-coil cartridge in a Graham Engineering Phantom III tonearm mounted on a TechDAS Air Force 3 turntable tethered to a Zesto Tessera phono stage. Every wall was lined with big, floorstanding speakers, all of them expensive. On the main stage that day were Alta Audio's Hestia Titaniums ($32,000/pair).

Pages

X