LATEST ADDITIONS
Upmarket Atoll
Sennheiser's Duo Cinema
Kronos from Sonor-Filtronique
Dr. Feickert's Turntable
Michel Plante
Claudia L'Ecuyer hands me my badge
Neneh Cherry and The Thing: The Cherry Thing
Nothing, seriously nothing, could have prepared me for the news that Neneh Cherry—Neneh “Raw Like Sushi” Cherry—is heading a new project with the powerhouse free jazz trio of Mats Gustafsson (saxophone), Ingebrigt Haker Flaten (bass), and Paal Nilssen-Love (drums).
Now on Newsstands: Stereophile, Vol.35 No.4
It has been a strange winter. Now approaching what is formally known as spring, I’m not sure if we ever even made it out of autumn! Forty-five degrees Fahrenheit in the middle of February in New York City? What in the hell is going on?
Similar to how the seasons from 2011 to 2012 have melded together into the longest autumn, the shipping out of each issue of Stereophile becomes a blur as well. As I discussed in my last on newsstands March article, we are never really sure what month we are living in here at the Stereophile office, much less the month of the issue we are working on, except for when we are compiling April Issue. We always know when we’re working on the April.
Why’s that?
What's His Naim? Julian Vereker
Editor's Introduction: One of the big industry stories of 1985 was the split, both personal and commercial, between the British Linn and Naim companies. Led by Ivor Tiefenbrun and Julian Vereker (footnote 1) respectively, both companies had started up in the early 1970s. Both men held similar views, both about the fat-cat complacency of British designers (which had led to a grievous sound-quality slump in the mid '70s), and about the system rethinking necessary for what some writers, unaware of the rigors of thought required by followers of that spiritual descendant of Fowler, William Safire, would term a "quantum leap" forward in sound reproduction.