FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

My Brief Affair with the Klipsch S4s

It had been many years since Stephen or I had been to Irving Plaza, but an invitation from Klipsch would grant us another encounter. Performances that evening included neo-punk new wave group the Tom Tom Club featuring Tina Weymouth (bass) and Chris Frantz (drums), both of the Talking Heads, opening for headliner the Psychedelic Furs, a band iconic for their soundtrack chart-topper “Pretty in Pink”.

In a partnership with Live Nation, Irving Plaza, a Live Nation-owned venue, redubbed itself “Irving Plaza Powered by Klipsch” as we discovered on the billboard under the marquee.

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Capital Audiofest 2012—Summing Up the Show

I said in my first story from this year’s Capital Audiofest, the third overall and the second to be held at the Crowne Plaza Hotel in Rockville, MD July 13–16, that this wasn’t like other audio shows. On the positive side, CAF had a great atmosphere, friendly and collegial, with great organization from Gary Gill and his team. The hotel had a goodly number of rooms with manageable acoustics, and the hotel staff was friendly and supportive. The live music was superb. Every showgoer I spoke with said that they were having a great time at CAF, that the Metro Washington DC area really does need a show like this, and it was great to hear so many products. And the nightly raffle—my photo shows Gary Gill holding up one of the prizes at the Saturday evening event—was an excellent draw, with the big prize a Benchmark DAC 1 D/A headphone amplifier.
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Capital Audiofest—Day Two Early Afternoon

Lunch and live music both over, it was time to head back to the exhibits. First stop on the third floor was one of the rooms from Metro Washington DC retailer Command AV, featuring DeVore Fidelity’s Orangutan/96 speakers ($12,000/pair). Combining the unorthodox coupling of a 1” silk-dome tweeter with a 10” paper-cone woofer in a stunningly finished, wider-than-it-is deep enclosure, the O/96 offers a equally stunningly high sensitivity of 96dB/W/m. I had heard the O/96s at Artie Dudley’s a couple of weeks back and was impressed by how the O/96 matched the midrange magic of vintage speakers while adding things I deem essential, like highs and lows. The speakers sounded as good at CAF as they had in upstate NY, both speakers and room stepping out of the way of the music on the Ray Brown/Duke Ellington duo LP This One’s For Blanton.
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Capital Audiofest—Day Two Lunch

Back in the atrium, I set myself up with a Newkie Brown and a surprisingly good bowl of gumbo and sat back to listen to the set from Janel Leppin and Anthony Pirog, on electrified cello and electric guitar. Anthony, of course, has the 21st Century guitarist's usual battery of delay pedals, loop units, fuzz boxes, swell pedals, of course but so did Janel! She alternated long, lyrical melodic lines with strummed and pizzicato accompaniments, the two players creating ambient soundscapes reminiscent of what Robert Fripp was doing 20 years ago but with the cello adding a more human element. After the set, I picked up a copy of their album Where is Home? (CD or LP, Cuneiform Records), but the recorded sound, while conventionally good, is a shadow of what the duo create live.
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Capital Audiofest—Day Two Morning

I started off Saturday morning at the Capital Audiofest by revisiting Salon II in the Crowne Plaza’s atrium, where I chatted with AIX Records’ Mark Waldrep. Recently the subject of a fascinating interview on AudioStream.com, Mark has been a voluble and ubiquitous advocate of high-resolution surround-sound recordings. At CAF, however, he was using headphones to demonstrate his AIX recordings. But with a difference—to the left of my photo you can see a Smyth Realiser, which allows full surround-sound to be experienced on headphones (see “Music in the Round,” November 2010). On the DVD-R versions of AIX releases, Mark has included full-resolution 2-channel FLAC files prepared with the Smyth Realiser from playback of the original multichannel recordings on his reference system. I tried one of these files, called “Headphones [xi],” and was impressed. The soundfield extended well outside my head, with good localization of the rear-channel information. In effect, I was transported via headphones to Mark’s listening room.
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Capital Audiofest—Day One

The Capital Audiofest is not like other shows, which was emphasized when I finally walked into the atrium of Rockville, MD’s Crowne Plaza Hotel. There was show organizer Gary Gill wailing on trombone in a set of free jazz with drummer Kirk Kubicek Jr. and bass player Harry Walker. Walker was playing/stroking/tapping a fretless Ashbory Bass, which makes up for its short 18” scale length by having very thick, heavy silicone-rubber strings. Despite the unstructured nature of the music, the trio created fascinating and compelling soundscapes, rivaled only by those created in a later set by headlining act Janel Leppin and Anthony Pirog, on electrified cello and electric guitar, respectively.
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Seeking Synergies: Beats Acquire MOG

On Monday, July 2, 2012, Beats Electronic LLC, the company most popular for their bass-bumping and market-dominating Beats™ by Dr. Dre™ headphones, announced their acquisition of on-demand music service MOG, a music streaming service that offers users access to over 16 million songs via wired or wireless connection.

MOG users can access their vast library of music and user-created playlists through an internet browser-based website platform, connection to a streaming device on a home network like the Logitech Squeezebox Touch, or by streaming to a mobile device. Speaking of mobile devices, guess who else is in cahoots with Beats? In August 2011, Taiwanese mobile device manufacturer HTC acquired a 51% stake in Beats, a purchase equal to about $300 million dollars. This partnership allowed for HTC to integrate Beats Sound Systems into their phones.

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