FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Diogenes: Digital Home for Experimental Music

Over at AudioStream, my man Michael Lavorgna mentions Diogenes: Digital Home for Experimental Music. I stumbled upon the site yesterday. Thinking that ML would love it, I forwarded the link to him immediately. I was right!

For the adventurous music lover who craves new, unusual sounds&#151stuff that might challenge, that might delight, and that will certainly expand your mind&#151and for the audiophile who primarily uses a computer as a source, Diogenes is an online heaven.

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John Abercrombie Quartet, Within a Song

The guitarist John Abercrombie's latest, Within a Song (on ECM) is something of a high-wire act: delicate music of an uninsistent intensity, a quiet swing, that hangs together or collapses on the ensemble's sustenance of balance. The musicians here—Joe Lovano on tenor sax, Drew Gress on bass, Joey Baron on drums—are masters at this sort of thing (and many other things too), and so it's a riveting album. Even when they coast, swish, and twirl along the slightest thread, you're carried along (or I was anyway).
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Enzo Natali R.I.P.

Just a brief comment to note the passing on Saturday August 11 of Italian audio distributor Enzo Natali, pictured at the 2012 CES second from left above with UK distributor Ricardo Franassovici (left) and Enzo's two sons Luca and Marco (right and far right). (My thanks to Ricardo for allowing me to publish both this picture and the one below.)
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Musical Fidelity V-DAC II D/A processor

There's so much uncertainty and confusion surrounding computer audio and high-resolution downloads. Which hi-rez formats will win out? How do you store the downloads you've bought? (Easy. Don't buy them.) How do you access them? Will digital rights management (DRM) cramp your style, or data-storage fees for cloud computing crumple your wallet?
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McIntosh Laboratories MC275 power amplifier

Tubes, tubes, tubes.

The amps (and preamps) keep coming.

McIntosh Laboratories is back in the act with a limited-edition revival of the MC275 tube amplifier, the original of which was produced from May 1961 through July 1973—one of the longest model runs in hi-fi history.

New companies devoted to tube gear keep cropping up—in recent years, America's VAC and Cary and Canada's Sonic Frontiers. The same thing appears to be going on in the UK. The pages of British magazines are filled with new tube gear.

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Getting Back into Vinyl, Part 1.5

Kyle studied Film and TV at NYU’s Tisch School of the Arts. He had a freakish obsession with penguins and spent hours at a time glued to his Macbook watching downloads of Aaron Sorkin’s The West Wing. I studied marketing at NYU’s Stern School of Business, counted down the days till the release of Guitar Hero I for Playstation Two, and once paid $20 for a broken drummer monkey known as Trick Star because I wanted to feel free and alive. In the summer of 2006, Kyle and I decided to start listening to vinyl. Why? Because vinyl was cool, and we were not.
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Ella & Louis Again, Quality Records Pressing, 45rpm

Last December, I posted a swooning review of Acoustic Sounds' two-disc, 45rpm, 200-gram Quality Records Pressings of Ella & Louis, the 1956 Verve album of duets with Ella Fitzgerald and Louis Armstrong (backed by Oscar Peterson, Ray Brown, Herb Ellis, and Buddy Rich), which may be the most delightful vocal album ever—and, in this pressing, perhaps the most amazing-sounding.

Now Chad Kassem, the reissue house's proprietor, has come out with the 1957 sequel, Ella & Louis Again (same cast, but with Louis Bellson replacing Rich on drums, for the better). It's swoon time all over. . .

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