Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
Sponsored: Pulsar 121
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
Sponsored: Symphonia Colors
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

Autonomic Controls Mirage MMS-5A media server

I bought a Slim Devices Squeezebox network player in the spring of 2006 and my life changed. Having audio files on a server and being able to play them through my high-end rig via the Squeezebox's S/PDIF output liberated my music from the tyranny of a physical medium. As I wrote in my review, "physical discs seem so 20th century!" After Wes Phillips reviewed the Squeezebox's big brother, the Transporter, in February 2007, I bought the review sample and lived happily ever after in the world of bits rather than atoms—at least until the summer of 2010, when Slim Devices' new owner, Logitech, brought out the Squeezebox Touch. The Touch did everything the Transporter did, with a full-color display, at one-eighth the price!
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Yves Beauvais

"While the selection and fine tuning of exhilarating-sounding vintage audio equipment is an exciting, often life-long search, let's not forget it's ultimately the music that matters—mankind's mysterious mastery of making air move in esthetically & emotionally thrilling ways. Most importantly, remember to ask yourself the age-old question: Can I dance to it?"
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Listening #124

Beethoven understood the pathos of the gap between idea and realization, and the sense of strain put on the listener's imagination is essential.—Charles Rosen

Bass, like sex, is something most young men desire in excess: To the novice, quantity trumps quality, and as long as he can hear from his playback system the deepest sounds of an orchestral bass drum or five-string electric bass (low string tuned to B-0 or C-1), he is completely satisfied.

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Passion of the Hi-Fi: Part IV - Why Boombox?

I scuttled furiously from bedroom to living room. DVDs without cases, puzzles with missing pieces, and random pairs long Ragnell scissors (why do we even have these???) strewed across a cascade of coffee tinted MDF shelves. This hand-me-down Brobdingnagian entertainment center would be the new home for my hi-fi, chipped away but yearning for gear. Like any man on a mission, I needed my soundtrack, my “Eye of the Tiger”, my “Don’t Stop Believing”, my “Bootylicious”, but what would be my source?
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The New York Show Starts Friday April 12

What, another audio show? Yes, barely three weeks after the close of Salon Son et Image in Montreal, and five weeks after AXPONA Chicago, the UK-based Chester Group's New York Audio Show gets underway. Running April 12–14 in the New York Palace Hotel (455 Madison Avenue at 50th Street), the show promises perhaps the largest numbers of seminars and live music events of any current audio show in the US.
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Passion of the Hi-Fi: Part III - Balance and Control

The promise of happiness is elusive. Is it found in the 10-hour workday? Maybe it’s spotted sunbathing on the Portuguese shoreline. Or is it found in a wider soundstage? Sartre teaches, "In life, a man commits himself and draws his own portrait, outside of which there is nothing." So if your actions define who you are, and if you love what you do, then will you find content?
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The Entry Level #28

In March 2008, when I bought my PSB Alpha B1 loudspeakers, I decided that I should also buy PSB's matching SubSeries 1 subwoofer (footnote 1). It seems odd to me now that I would have considered the $449 subwoofer a necessary complement to speakers that sold for $279/pair. What was I thinking? Was I rolling in money? Certainly not. Was I merely young and fancy free? Yes and no. Was I sex-starved? Quite possibly.
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Book Review: A Pair of Wharfedales

This business biography of hi-fi pioneer Gilbert Briggs and his company, Wharfedale, is an exhaustively researched labor of love on the part of his grand-nephew David Briggs. In a sense, the book is a prequel to Ken Kessler's KEF: 50 Years of Innovation in Sound (2011). That's because KEF's founder, Raymond Cooke, worked for Gilbert Briggs at Wharfedale from the early 1950s through mid-1961. But that is getting ahead of ourselves.
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