
LATEST ADDITIONS
Gramophone Dreams #8
Robert Deutsch Upgrades His Record Player
Analog #246: AudioQuest Niagara 7000 Low-Z Power Noise-Dissipation System
Paul Bley, Memorialized in NY Concert Thursday
I missed the chance to send off an R.I.P. to the jazz pianist Paul Bley, who died on January 3, at the age of 83, so I'm catching up with this advance notice of a free memorial concert to be held this Thursday night, February 11, featuring piano solos by seven of his acolytesmost notably Ethan Iverson and Frank Kimbrough, whom I've lauded on this page many times.
Man of the World
Dealer Events in Chicago and Maryland Saturday
Morel Octave 6 Limited Edition Bookshelf loudspeaker
She frowned and stared quizzically into the darkness. After a long moment, she said, in a low, sad voice, "Really . . . ?"
September 23, 2015: In his response to and defense of Elizabeth Newton's wildly insightful essay "The Lossless Self" (footnote 1), Michael Lavorgna wrote, on Stereophile's sibling website AudioStream.com: "My idea of hi-fi is to make the possibility of losing oneself in the music happen as often as I choose with the least amount of brain processing as possible." He continued: "Here's my preachy dogma in a nutshell (something I've been saying for years): the best hi-fi is the one that's used to discover and enjoy music most often." (footnote 2) When I read this, I thought, Right on, brother Mike!
Devialet Event in San Francisco, Thursday
PS Audio BHK Signature 300 monoblock power amplifier
In 1974, Paul McGowan and Stan Warren founded the company to produce and market a standalone phono preamplifier, sold directly to consumers for $59.95. From there they naturally progressed to a series of line-level preamplifiers. Toward the end of the '70s, PS Audio produced the Model One, the company's first power amplifier. In the mid-1980s came the high-performance, moderately priced ($495) 4.5 and 4.6 preamplifiers. I reviewedand boughta 4.6 a few years after I began reviewing gear for The Abso!ute Sound; Tom Norton reviewed the 4.6 for the September 1988 issue of Stereophile.