LATEST ADDITIONS

The power-amp saga continues. For months, I've been plowing through the market, searching for something to drive my three front speakers. (I use a two-channel amp for the surrounds.) It can be a three-channel amp or three monoblocks—it just has to sound great with my speakers, and be light enough that I can lift it by myself when I need to rearrange my system. I'd finally settled on Classé's Sigma Monos for their transparency, and because I can manage their weight, one at a time. At the CEDIA Expo in September 2016, I saw two more candidates worthy of consideration. Review samples of both arrived here almost simultaneously.

New England Audio Resource's NEAR-50M is a cyborg: metal innards in a wooden body. It represents NEAR's top statement in the firm's Metal Diaphragm Technology speaker line, which features the "NEAR-Perfect" driver cone. Metal—in this case an anodized aluminum alloy—is much more rigid than paper or plastic. Hence, a driver with a metal cone acts more nearly as a true piston. When it comes to loudspeaker cones, breaking up is not hard to do. When that happens, the cone flexes in a complex pattern, generating harmonic distortion. A typical plastic or paper 8" woofer may experience its first breakup mode at a frequency as low as 500Hz. The NEAR 8" metal-cone woofer's first breakup mode is said to be well above 2kHz, and their 4" metal-cone midrange does much better than that.

Saturday March 4, 1–5pm, Suncoast Audio in Sarasota, Florida (7353 International Place, Unit 309, Sarasota) will be hosting its grand opening and Musical Artisans (8335 Keeler Avenue, Skokie, IL 60076) will host their winter open-house event, introducing Nagra Audio and the Helix 1 turntable by Mark Döhmann to the Chicago area.

Two of the most cherished terms in the lexicon of high end are "no holds barred" and "cost no object." These are usually applied, together, to the most expensive version of something currently on the market. But is either term really appropriate for an audio product? The answer is a flat, unequivocal No. No consumer product has ever conformed to the real meaning of those terms, and it is unlikely that one ever will.

Booker T. & the M.G.'s, Sam & Dave, Otis Redding—few studios have ever achieved the kind of distinct sound that once poured out of Stax Studios in Memphis, TN. A bit of that gritty, funky mojo lives again in the music of Southern Avenue, a new R&B act from Memphis that's named after the street that runs by the old Stax Studio.

Fear not. Not only is Adam Schoenberg, 36, one of America's most performed living composers, but his music (and, perhaps DNA) bears no relationship to the horrors of that 20th century demon of twelve-tone discord, Arnold Schoenberg. Quite the contrary. The three works on the new, vividly recorded Adam Schoenberg hybrid SACD from Reference Recordings, recorded in 24/176.4 surround and played by the Kansas City Symphony under Michael Stern, are deliciously tonal, filled with color and energy, and irrepressibly optimistic.