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Given the pedigree of its three artists—cellist Yo-Yo Ma, mandolin virtuoso Chris Thile, and bassist Edgar Meyer—this new recording of Bach Trios is destined to become a best-seller. That the hour-long recording is available in multiple formats, including as a Nonesuch CD, 24/96 hi-rez download, LP, and MQA stream via Tidal Masters, and is filled with glorious music graand MQA stream via Tidal Masters, and is filled with glorious music grants it potential appeal to all music lovers, including audiophiles eager to compare formats.

The final utterance of a great band dissolving has completely stood the test of time.

In anticipation of this week's Munich High End, which takes place May 18–21, MQA has announced several breakthroughs. The first involves its hardware partners, who have expanded to include AudioQuest, CanEver Audio, dCS, Esoteric, IAG, Krell, Lumin, Mark Levinson, Moon by Simaudio, Pro-Ject Audio Systems, TEAC, and Wadax. These are in addition to its existing partners, who include Aurender, Bel Canto, Bluesound, Cary, NAD, Brinkmann, Meridian, MSB, Mytek, Onkyo, Pioneer and Technics. All of the latter are expected to demonstrate MQA at the Munich show, with yet others showing at the Los Angeles Audio Show June 2–4.

When Tom Norton asked if I'd like to review an entry-level turntable from SOTA, I responded with a resounding "Yes!" I've long felt that there's a conspicuous absence of affordable, good-sounding record players on dealers' shelves. With the AR ES-1 package deals no longer available and the Rega 3 now selling for $775, at $599, SOTA's new Comet promised to be stiff competition for the Basiks, Revolvers, Duals, and Thorenses of the world. Also, due to my tenacious embrace of vinyl, I try to encourage as many music lovers as I can to experience the satisfaction derived from LPs and the fun and excitement of collecting them. If I can point them in the direction of a competent, sanely priced analog rig, I'll consider a good part of my mission accomplished.

"Amrita" is Sanskrit for "nectar," and indeed, the Amrita owner's manual states that they are confident their speakers "will provide Nectar For Your Ears." Although this Iowa-based manufacturer offers a large range of loudspeakers, I decided that Stereophile should review their small AMRIT-MiniMonitor ($875/pair) after Martin Colloms mentioned in his report from the 1987 SCES in Vol.10 No.5 that it sounded "pleasantly balanced on both rock and classical material." We received a pair for review in the summer of 1988, but it turned out that only one was working, the other having a very restricted low-frequency response below 100Hz. After repeated requests for replacements, Amrita's John Andre personally delivered a pair to Santa Fe in the Spring of 1989. This time, both worked out of the box!

The RS-212 is one of the most impressive-looking tonearms we've seen in many a moon. Our first reaction to it, in fact, was much the same as our reaction to the first big, professional Ampex tape recorder we ever saw: it reminded us of one of those precision-engineered and cleanly styled electronic devices you see in hospitals and industrial laboratories—devices which make no attempt to cater to the current fashion in interior decorating or depth-researched consumer preferences, but which are designed simply to do a job neatly and efficiently. This arm, in short, is practically guaranteed to impress your Magnavox-oriented friends with the quality of your phono system, no matter how oblivious they may be to its actual sound.

Fitzgerald's influence on jazz vocals, celebrated in a flurry of reissues from Universal Music, is almost unimaginably vast.