Vivid Audio Introduces Giya Cu Loudspeakers
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Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
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Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

500 Issues And Counting: a Publishing Milestone

We're all involved with the world we live in. Friends from 20 years ago? Hey, nice to see ya, put on a little weight I see. Generally, you hang with your crew, although you might miss the bigger picture that way.

I wrote for Stereophile from 1993 through 2002, and I remember my experiences fondly, including the pure pleasure of listening to music on all that wonderful audio equipment. But I hung with my tribe and never fully appreciated the crucible in which Stereophile was formed. It's a genuine saga; cue Ennio Morricone's soundtrack to Once Upon a Time in the West.

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Dynaudio Confidence 30 loudspeaker

Over a lifetime of audio shows, I've consistently enjoyed Dynaudio speaker demonstrations. Each time, I've told Dynaudio North America's Michael Manousselis that I'd love to review the speaker on display that year. But I never followed through. So, when Jim Austin suggested I review a Dynaudio speaker "because they haven't gotten much press," it resonated with my deep-seated guilt. A little research revealed that the last Dynaudio speaker Stereophile reviewed was the 40 Special in November 2018. The last floorstander was the Dynaudio Sapphire in 2009!
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Re-Tales #11: Business as Unusual

Photo: John Atkinson

As the pandemic abates and reopening progresses, times are still uncertain. Industries worldwide continue to be obstructed. Parts and materials costs have risen sharply. Shipping rates, and shipping demand, have spiked. The recent Suez Canal blockage didn't help. All this has led to widespread supply-chain difficulties.

The audio business is not immune. Disruption and delays have troubled manufacturers, distributors, dealers, and customers for several months.

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Acoustic Research Stereo Remote Control

Prologue: The context for this review is that back in the 1980s, preamplifiers and integrated amplifiers with remote controls didn't exist. In early 1985 I borrowed a sample of Acoustic Research's Stereo Remote Control, which I believe was designed by Ken Kantor (later to find fame with NHT) and set it up in my bedroom. It drove a pair of powered loudspeakers with auto turn-on, and I very quickly grew to appreciate, not just the sound quality, but the convenience of being able to control the system from the comfort of my bed. So what did JGH think of the SRC?—John Atkinson
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Sumiko Blue Point & Blue Point Special phono cartridges

In these waning days of Analog's Last Stand, it might seem absurd to review midpriced phono cartridges when this space could be given instead to the gear Stereophile usually covers—like $3000 OTL tube amps built by guys like that "Rainbow Man" lone nut who used to dance in the stands at Super Bowls before he took hostages in a hotel room with a .45 screaming, "MIT CAPACITORS!!! MIT CAPACITORS!!!"
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Analog Corner #280: VPI Avenger Reference turntable, VPI Fatboy tonearm

Turntable manufacturer VPI Industries is about to celebrate its 40th anniversary. Despite analog playback's ups and downs (pun time), VPI has managed not only to survive but to prosper and grow, thanks to a smart product mix that includes high-value, wet-wash/vacuum-dry record-cleaning machines that perhaps took up the revenue slack when, in the mid-1990s, interest in new turntables dipped—but the vinyl faithful still had millions of dirty records to keep clean.
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Revinylization #19: More Cowbell (Blood, Sweat & Tears)

Blood, Sweat & Tears began as Al Kooper's dream of a rock band with horns. By the time he realized the concept—on the band's 1968 debut, Child Is Father to the Man—it had become much more: an engaging hybrid of New York soul, Greenwich Village folk, and innovative jazz arrangements. With producer John Simon at the helm, Child was a virtual definition of the possibilities inherent in the heady musical experimentation of the late 1960s. Kooper's writing and arranging for that record (including the monumental "I'll Love You More Than You'll Ever Know," later a hit for Donny Hathaway) is one of the high points of his storied career.
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