Nearly six years after suffering a debilitating stroke, Sony Corporation co-founder Akio Morita has died. One of the world's most charismatic business executives, Morita succumbed to pneumonia on Sunday, October 3, in Tokyo. He was 78.
In his review of the <A HREF="http://www.stereophile.com//amplificationreviews/152/">VTL MB750 monoblock power amplifier</A>, Brian Damkroger asks: "How much power do you really need? What does it do for you, anyway?" His answer may surprise you. Also added to the Archives this week is Damkroger's in-depth history lesson and interview with the man behind the company, "<A HREF="http://www.stereophile.com//interviews/153/">Making Tubes User-Friendly: Luke Manley of VTL</A>."
How would you like to make a full 650Mb compilation CD of your favorite music in less than 10 minutes? That's what <A HREF="http://www.tdk.com/">TDK</A> is promising with its new veloCD ReWriter drive, to be shipped to dealers later this fall.
MP3 players are going to hit the market in waves this fall, and manufacturers will be trying hard to make their products stand out from the pack. Several companies are bringing out combi MP3/CD portables, including consumer-electronics newcomer <A HREF="http://www.pineusa.com/">Pine Technology USA</A>, of Fremont, California. Pine has long experience in the manufacture of motherboards, modems, and other computer components. The company is now shipping its $189 D'Music SM-320V MP3 portable. Its $219 model SM-320 includes an FM tuner. Both players have 32Mb of embedded solid-state memory and will accept a 32Mb SmartMedia card. Pine's players operate on two AAA batteries, and can double as voice recorders with up to 4.5 hours of recording capacity. Retailers include Fry's Electronics and Office Depot.
One of the challenges facing audio equipment manufacturers as we enter the Internet age is how to handle online retailing of products to consumers. A manufacturer that has so far shunned mail-order in favor of bricks-and-mortar retailing runs the risk of alienating its established distribution base by jumping online ("mail order with a web address"), where traditional territorial sales boundaries are often rendered meaningless.
Last week, <A HREF="http://www.peavey.com">Peavey Electronics</A> and <A HREF="http://www.digitalharmony.com">Digital Harmony</A> announced a licensing agreement that they say aims to revolutionize audio production, music publishing, and distribution. By licensing Digital Harmony Pro technology, Peavey says it plans to create the pro-audio industry's first non-proprietary 1394-equipped digital audio products and systems.
Recently I found myself on the phone with Linn's chief design engineer, Bill Miller, talking about switch-mode power supplies. Affable Mr. Miller was ensconced in Linn HQ in Glasgow, Scotland. After a bit I inquired if Head Man Ivor Tiefenbrun was about the manse, and was quickly handed over. "You're such a cheeky guy. Why'd you call it the Klimax?"
A never-ending controversy among <I>Stereophile</I>'s readers (and critics) is whether or not the equipment reviewed in the magazine is too pricey or not pricey enough. What do you think?
Sudden awareness of free digital downloadable music on the Internet sent the music industry into a panic last year. The <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A>, a coalition of record labels, software companies, and electronics manufacturers, worked overtime developing standards for encrypting music in an attempt to thwart piracy. Preliminary guidelines for copyright protection were issued in June. Most recently, the SDMI completed a series of listening tests intended to find the least intrusive form of encryption. The organization seemed to present a united front in the anti-piracy war.
When it comes to power, VTL's Luke Manley is definitely in the "more is better" camp. But when Lonnie Brownell sat down to listen to the <A HREF="http://www.stereophile.com//amplificationreviews/149/">VTL ST-85 tube power amplifier</A>, he elected to start with a single amp and go for more power later. Lonnie writes: "How's about I go with just one amplifier for a while? After all, that's what most people would buy, at least at first. Then I can drop in another one and see what that does." But in the end, was one enough? Brownell tells all.