When a manufacturer makes extraordinary claims about a product, the result is sometimes an extraordinary review. That's what happened when Jonathan Scull examined the <A HREF="http://www.stereophile.com//accessoryreviews/255/">Richard Gray's Power Company 400S AC line conditioner</A> last June. His report raised a chorus of reader and industry reactions, all of them included here along with some additional unpublished observations.
After a May 10 <A HREF="http://stereophile.com/news/10744/"> announcement</A> from the Federal Trade Commission that it had negotiated a settlement with the music industry's "Big Five" over a controversial pricing policy, enterprising private attorneys wasted little time initiating class-action lawsuits (<A HREF="http://www.stereophile.com/news/10750/">1</A>, <A HREF="http://www.stereophile.com/news/10803/">2</A>) against them. By early August, some reports placed the number of suits nationwide at more than 100.
The word's largest Internet service provider has decided to forgo an MP3 search feature until it figures out how to distinguish legal recordings from illegal ones. <A HREF="http://www.aol.com/">America Online</A> made the announcement August 11 after discovering that the feature, which it hoped would enhance its Winamp site, might encourage piracy of copyrighted recordings.
Last week, Florida consumer-electronics retailer Sound Advice announced that it has reached an agreement in principle to acquire Scottsdale, Arizona–based Showcase Home Entertainment, LLC, a privately held "upscale" retailer of consumer electronics and custom design services. Sound Advice, founded in 1974, currently operates 24 Sound Advice stores and four specialty stores under the Bang & Olufsen name throughout Florida.
With its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the <I>seam</I> between classic high-power two-channel systems and quality multi-channel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. "I'm a purist, like you, Jonathan!" he told me.
Ideally, through the medium of a synergistically balanced set of high-resolution components, we seek to re-create an acoustic event with a palpable sense of realism—as in timbre, dynamics, room cues, and dimensionality. Have I ever experienced a system commensurate with the experience of sitting 12th-row-center at Carnegie Hall for Boulez conducting Stravinsky? Close, but...
Dynaudio's $2399/pair Contour 1.3 Mk.II follows on from the Mk.I, which grabbed Russ Novak's enthusiastic attention in November 1996 (Vol.19 No.11). Because a full description was included in the original review, I will only touch briefly on the differences between the original version and the sample reviewed this month. A Special Edition of the Contour 1.3 is also available for $3499/pair. Sam Tellig's comments on the sound of this loudspeaker appeared in the December 1999 <I>Stereophile</I> and are included at the end of this review.
This week's <A HREF="http://www.stereophile.com/soapbox.shtml">Soapbox</A> has Martin Bruczkowski pondering how much power is being wasted by audiophiles who leave large systems on 24/7. What are <I>your</I> power habits?