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Over-the-air classical music broadcasting is becoming increasingly rare, but classical has got a huge listenership on the Internet, according to a survey by rating service <A HREF="http://www.arbitron.com">Arbitron, Inc.</A>, which early this month announced that three classical music stations were among the five most listened to on the Internet.

As I sit down to write a year's-end musical retrospective, I feel that the old column-writing joke between Stereophile editor John Atkinson and myself about first needing a subject and, second, needing it to make sense, will not be a problem this time out. For me, the music and almost everything else about 2001 have been dwarfed in importance by the mayhem wreaked on New York on September 11.

"Hey, J-10!" John Atkinson called from the hallway outside my office. "I liked your October 'Fine Tunes'!"

Analog or digital, tube or solid-state, stereo or multi-channel, minimalist or full-featured? Reader Mark Gdovin wonders what type of preamp readers are using in their systems.

For the tenth consecutive year, <I>Stereophile</I> writers and editors ferret out those components that have proved capable of giving musical pleasure beyond the formal review period and have wrapped them all up as <A HREF="http://www.stereophile.com//features/464/">The 2001 Products of the Year</A>. The envelope please.

Every <A HREF="http://www.cesweb.org">Consumer Electronics Show</A> features unusual prototypes from engineers throughout the world. Some are laboratory curiosities that never develop into viable products, but others have great potential.

For any audio company to be successful, it needs to cover what my business school teachers used to call the "Four Ps": Product, Price, Promotion, and Place. In other words, success will follow if a company can slice up its resources to properly promote the right product at the right price and make it available in the right places.