When Wilson Audio Specialties' Peter McGrath offered me a pair of MAXX2 loudspeakers to review, I reminded him of just how small (15' by 21' by 8') my room is, and how <I>close</I> I sit to any speakers in it.
Tetra Speakers may not be a familiar name to many US audiophiles. Based in Ottawa, Ontario, the company has been around for a decade, but has taken a slow and steady approach to building its visibility in the insanely competitive and trend-conscious world of high-end loudspeakers.
The first epiphany I experienced in blind audio testing took place in the Dunfey San Mateo Hotel, in Northern California. We were stuffed into a largish, well-lit room in which dozens of listeners sat in chairs, and others stood around the back or sat on the floor. Up front were two large <A HREF="http://www.stereophile.com/loudspeakerreviews/506">B&W Matrix 801</A> speakers on tall stands spaced far apart, behind them, opaque curtains hid a small pile of audio equipment. John Atkinson and Will Hammond stood at stage left.
<B>JOHN PRINE: <I>Fair & Square</I></B><BR>
Oh Boy OBR-034 (CD). 2005. John Prine, prod.; Gary Paczosa, prod., eng.; Thomas<BR>
Johnson, Brandon Bell, asst. engs. AAD? TT: 62:16<BR>
Performance ****½<BR>
Sonics ****½
The last couple of years have been a bumpy ride for <A HREF="http://referencerecordings.com/">Reference Recordings</A>. The company's troubles began two years ago this week when it was <A HREF="http://www.stereophile.com/news/11719/index.html">announced</A> that it had been acquired by The Dorian Group after more than 25 years as an independent label dedicated to audiophile sonics.
<I>New cable:</I> <A HREF="http://www.rivercable.com">River Cable</A> has announced a new speaker cable called Flexygy 8, which employs eight conductors in a flat, flexible topology with "tremendous amounts of copper." Boasting a "unique ratio of low resistance-to-capacitance," Flexygy 8's capacitance is rated at 10pF/ft. Additionally, Flexygy 8 is touted as "an installation dream, [it goes] under carpets, along baseboards, with a super flexibility that can’t be beat in a cable with an aggregate AWG of 7."
Ibrahim Ferrer, one of the best-known practitioners of the Cuban vocal music known as <I>son</I>, died in Havana on August 6 of multiple organ failure. He had returned, ill, from a European tour several days previously, and then been hospitalized.
As the Senate Commerce Committee began hearings on issues related to <I>MGM v. Grokster</I> on July 28, Consumer Electronics Association (CEA) president Gary Shapiro issued a masterfully constructed statement reminding the Committee of the stakes involved. Why masterful? Essentially, we are struck by the concision of the CEA argument and its gentle reminder that a significant American industry will be crucially affected by the final resolution of this issue—and not the one that first springs to mind, either.
Reader Brian Huempfner wants to know if any <I>Stereophile</I> readers have converted their analog recordings to digital, and, if so, what software they used to transfer and clean up the recordings?
Walking through the circus that was WCES '95 was like undergoing total neural-synaptic overload. I felt hard-pressed to just keep my head above water separating good sound from bad. Trying to piece together a coherent picture of the show, I jotted down the components in the best systems that I'd heard, and a few items popped up with astonishing regularity. One of these was Audio Research's single-chassis CD player, the CD-1.