LATEST ADDITIONS

Horns’n’triodes go together like...well, horses and carriages&mdash;and those who view both horn loudspeakers and tube electronics as antiquated technology might say that the simile is particularly apt. Although I would not want to argue that the way to sonic bliss is obtainable only by pairing horn loudspeakers with triode tube amplifiers, the combination <I>can</I> be magical, as was the case with the Acapella Audio Arts speakers and Wavac Audio Lab electronics on demo at HE 2006.

WLM stands for <I>Wiener Lautsprecher Manufaktur</I>, and their product literature states that the company’s ambition is "to keep the Viennese heritage of music alive." While this might appear to give short shrift to institutions like the Vienna Philharmonic and the Vienna State Opera, the system featuring WLM Lyra speakers, Audio Aero SACD player and electronics sounded was exceedingly musical in its presentation.

Sporting a great music collection spread around the room, Zu Audio had two models of speakers up and running. Shown here is the company's $9k/pair Definition speaker, which Sean Casey assures me can be coated in any color the buyer can imagine including "matte, iridescent frost, high gloss, flames, stripes . . . anything." Of course the company chose the understated RED speaker for display at the show.

In the Simaudio/Dynaudio room, the sheer size and weight of the bass commanded equal respect. This was some of the finest low bass extension I have so far encountered at the show. (The bass impact of the new Wilson Watt/Puppy8s also deserves mention). Imagine my surprise when, after my audition, Simaudio’s Costa Kouliisakis told me that he had not yet succeeded in getting the room to deliver all of the deep bass extension the equipment was capable of producing.

The Immedia room proved an isle of sanity amidst the clamor. As I entered, the folks were playing Analogue Productions’ HQ-180 pressing of <I>Chet</I>. Heard through Joachim Gerhard’s somewhat diminutive, 90 lb Sonics Allegria speakers ($15,000/pair, shown above with Immedia’s Allen Perkins), the trumpet sounded far bigger and lifelike than speakers this size “should” make it sound. Equally impressive were the amazing depth, height, and width of the soundstage. No small part of the credit is due Perkins’ Spiral Groove SGI turntable ($20,000), Immedia RPM tonearm ($2995), Lyra Skala cartridge ($2500, a replacement for Lyra’s Helicon), the Lyra Connoisseur 4-2LSE preamp ($25,000), and Ayre V5XE 150 Wpc amp ($4500).

Sonneteer/Bardaudio's Haider Bahrani holds the $425 Bardone TX wireless audio transmitter. This device can broadcast an uncompressed CD stream wirelessly up to 50 meters (164 feet).

Dr. John brought down the house Saturday night at HE 2006, where the crowd brought him back for an encore.