Vivid Audio Introduces Giya Cu Loudspeakers
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CH Precision and Audiovector with TechDAS at High End Munich 2025
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LATEST ADDITIONS

Flowerburger Records Petitions Parliament to Stop P2P Lawsuits

In a gesture that mirrors a <A HREF="http://www.eff.org/share/petition/">petition</A&gt; the Electronic Freedom Foundation (EFF) is presenting to Congress, Flowerburger Records is circulating a <A HREF="http://www.flowerburger.com/">petition</A&gt; requesting that the British Parliament and the BPI, Britain's recording industry trade group, stop the lawsuits against music fans and develop constructive alternatives aimed at compensating artists.

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21st Century Vinyl

A highlight of recent Home Entertainment Shows has been the Sunday afternoon "Analog Clinic" presented by <I>Stereophile</I> senior editor Michael Fremer. Michael, who writes about vinyl playback every month in his "Analog Corner" column, spends an hour showing Show attendees how to set up a turntable and how to optimize the tonearm geometry. To judge by the attendance at Home Entertainment 2006, held last month in Los Angeles, this is a popular subject these days.

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Rogers Studio 3 loudspeaker

Back in the early 1970s, the BBC needed a physically unobtrusive, nearfield monitor loudspeaker for use in outside-broadcast trucks. Accordingly, they instructed their design department, which at that time featured such luminaries as Dudley Harwood (the "father" of the polypropylene cone, who went on to found Harbeth) and the late Spencer Hughes (the "father" of the Bextrene cone, who went on to found Spendor), to produce such a model. Thus, not only was what was then probably the finest collection of British speaker-design talent involved in its development, there were no commercial constraints placed on the design. The only limitations were intended to be those arising from the necessarily small enclosure and the absence of the need for a wide dynamic range under close monitoring conditions.

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Ruark Templar loudspeaker

As I trundled the <A HREF="http://www.stereophile.com/standloudspeakers/477">WATT/Puppys</A&gt; off to the <I>Stereophile</I> laboratory complex for our test procedures (see my review in the last issue), I idly wondered to myself, "Gee, what am I going to do for an encore?" Visions of exotic butterfly-like horns danced in my head (nope, J-10 Scull gets those babies). I was tantalized by the call of ambitiously designed behemoths (Major Tom gets those, he's got the room for 'em). Maybe some jewel-like, state-of-the-art minimonitors? (JA glommed 'em&mdash;editor's prerogative, y'know.) So what does that leave me?

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Ruark Equinox loudspeaker

Ever since the 1960s, when I built a pair of Altec A7 clones, I've had a preference for relatively big speakers. Yes, I was seduced by the Stax F-81 electrostatics because of their incredibly low coloration, but inevitably I felt the need to return to something that would move more air. Regardless of the type of music (I do like the big stuff) or the sound levels, unless the sound has solidity and size, I can't easily suspend disbelief.

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Lorraine Hunt Lieberson

We have lost a great artist. Mezzo-soprano Lorraine Hunt Lieberson, 52, who had previously triumphed over breast cancer, died at her home in Santa Fe on July 3. While <I>The New York Times</I> obituary did not specify the cause of death, other reports suggest she died from cancer, leading to speculation that the claims of back trouble and gall bladder inflammation that led to a string of cancellations in the past few years were related to a recurrence of the disease.

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