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Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Pure Sound Time | Revel Performa4 Bookshelf Loudspeaker
See How the New HumminGuru NOVA RCM Cleans an LP!
Chad Kassem Tells Us What to Expect at The Vinyl Summit
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026

LATEST ADDITIONS

Pioneer S-1EX loudspeaker

One of the highlights of such annual events as the Consumer Electronics and Primedia Home Entertainment shows has been the demonstrations of loudspeakers from TAD, the professional division of Pioneer Electronics. Designer Andrew Jones is always generous in using recordings brought by visitors, and enthusiastic in explaining the technology behind these beautiful behemoths. Among these speakers' unique features are a beryllium dome tweeter mounted concentrically inside a beryllium midrange cone, and a cabinet built of stacked, carved horizontal sections, for incredible rigidity without using exotic materials or excessive mass. The concentric upper-range driver is a reminder that, some time back, Jones worked for KEF, where the coaxial UniQ driver was developed, but the materials and details of the TAD drivers are all new. While the TAD Model 1s are always good for musical and audiophile thrills, their price is in the upper five figures, which put them out of serious purchase consideration.

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The Law and the Prophets: Stereophile's Review Policies

I began writing this essay on New Year's Day 2007. The passing of the old year reminded me that I am now in the 21st year of editing Stereophile, my 25th of being the editor-in-chief of a mainstream audio magazine, and my 31st of working full-time as an audio journalist. (Prior to joining Stereophile in 1986, I had worked for 10 years at British magazine Hi-Fi News & Record Review, the final four as its editor.) Back in the innocent 1970s, reviewers and editors generally picked and chose what products to review based on their own interest and what they felt appropriate for their readers to know about. Back then, there was only a tiny fraction of the audio brands now available to the audiophile, and even with fewer review pages than we now have, it was possible each year to cover a representative sample of the products being offered our readers. But such was the explosion in high-end audio throughout the 1980s that, by 1989, I felt it necessary to impose some restrictions on what products we choose for full review coverage in Stereophile.
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Shocker

The trouble with Tasers, <I>CrunchGear</I> explains, is "there appears to be an aggressive effort by [Taser International] to silence critics and to control data and, on occasion, manipulate statistics with the intent of preserving an illusion of safety surrounding its products."

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