Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
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Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Parasound Under New Ownership

Bay Area-based Parasound, known for reasonably priced audio components, especially those designed by John Curl, is under new ownership. The new owner, David Sheriff, an entrepreneur who specializes in product growth and supply chain management, has pledged to maintain Parasound's reputation for excellence while shepherding the company to "take the next step."

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Re-Tales #27: Ch-ch-ch-ch-changes in the hi-fi industry

I spoke with people working in hi-fi to get a sense for how the industry is evolving. Here's one way: Some companies at the market's higher end are eschewing the traditional distribution model, in which a domestic company serves as middleman for products from overseas, buying and reselling inventory to dealers and then providing support. In the newer model, distribution services are provided by the overseas manufacturing company itself, either directly or via a US subsidiary. Brinkmann, dCS, Estelon, Gryphon, and T+A employ variations on the model.
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Good Grief, That's a lot of Vince Guaraldi!

The year 1965 was turbulent, pivotal, and consequential. LBJ sent soldiers to the Dominican Republic, stepped into Vietnam with both feet, and signed laws expanding voting rights and creating Medicare and Medicaid. Antiwar protests gathered steam, Bob Dylan went electric, the Beatles played Shea Stadium, Sandy Koufax pitched a perfect game, and pioneering DJ Alan Freed died.
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Hymns of the Republic

Summer 1959. The concert under the stars in the Wellfleet, Massachusetts, town parking lot was over. Pete Seeger was packing up his banjo as I approached him gingerly—I was 6 years old. I stuck out the notepad I'd been careful to bring. "Can I have your autograph?"

Towering over me, six-three to my three-eight, Seeger said in exasperation, if not outright coldness, "I don't give autographs. I'm not some goddamned star."

Terrified, I stood my ground.

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Somewhere in a Burst of Glory

Tyler Chester was headed south on the I-5 to San Diego, where he would join indie-rock eminence Andrew Bird's road band for a brief tour. Touring is an activity Los Angeles–based Chester pursues with decreasing frequency, he told me in a recent phone chat. After years as a busy sideman and recording-session musician—he is equally proficient on bass, guitar, and keyboards—Chester finds himself spending less and less time as a player and more as a producer.
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