LATEST ADDITIONS

The long, though not particularly hard, way. Good lessons—presented realistically for a change.

I probably shouldn't be linking to this, but it really made me laugh.

John Laurence spent a year embedded with the 101<SUP>st</SUP> Airborne. He respected and liked the guys he was reporting on, but what happened when his duty conflicted with the culture of loyalty?

It's not that we're jaded, but most mornings as we open the day's press releases, we manage to curb our enthusiasm as we read of the breakthroughs <I>du jour</I>. Yet, when we read that Steinway & Sons and Peter Lyngdorf had collaborated (as Steinway Lyngdorf) on a $150,000 "Steinway & Sons Model-D Music System," we knew we had to hear it.

On May 10, members of several pro audio Internet bulletin boards read the following post from Gary Margolis: "It is with great sadness that I inform you that John Eargle, one of the finest audio engineers and teachers it's been my privilege to know, has passed away.

When audiophiles speak of the "Golden Age" of audio components, they almost always are talking about amplifiers and preamplifiers, not loudspeakers. While a very few speaker models have stood the test of time&mdash;among them the <A HREF="http://www.stereophile.com/standloudspeakers/361">BBC LS3/5a</A>, the <A HREF="http://www.stereophile.com/floorloudspeakers/914">Vandersteen 2</A>, the <A HREF="http://www.stereophile.com/artdudleylistening/706listening">original Quad electrostatic</A> and the <A HREF="http://www.stereophile.com/floorloudspeakers/416">Quad ESL-63</A>, some of the Magnepans, and the Klipschorn&mdash;almost no one would disagree that, taken en masse, the speakers of today outperform not just those of the 1960s and 1970s but even those of the 1980s and 1990s. The advent of low-cost, computerized test equipment, high-quality, inexpensive measuring microphones, and persuasive research into what measured parameters matter most to listeners who are listening for a neutral-sounding, uncolored loudspeaker (footnote 1), has led to an almost across-the-board improvement in speaker sound quality (footnote 2).

The devil's in the details, so here's one detail you should know going in: The El Diablo, a deceptively modest-looking, casket-like, compact, three-way loudspeaker from Danish firm Peak Consult, will cost you a penny less than $65,000/pair. Why? Yes, the dollar's continued slide has alarmingly driven up the price of imported audio gear, but even so...