Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Pure Sound Warps Time | Revel Performa4 Bookshelf Loudspeaker
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
See How the New HumminGuru NOVA RCM Cleans an LP!
Chad Kassem Tells Us What to Expect at The Vinyl Summit
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Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026

LATEST ADDITIONS

Globes of Desire

I was saddened today to read about the December 22 passing of Ruth Wallis, a singer from the 40's through 60's who specialized in creative naughtiness. Born in Brooklyn (where else?), she sang with Benny Goodman and owned her own record label, but it was her risque tunes like, "The Dinghy Song" ("He had the cutest little dinghy in the Navy") that brought her the most fame and which became the basis for an unlikely 2003 Broadway hit, <I>Boobs! The Musical: The World According to Ruth Wallis</I>. Here are a few classic couplets from the Wallis-penned title tune:

"You've gotta be filled
Two fried eggs will never grab him like grapefruits will
(And they're both breakfast foods)
But listen girls, don't try to fool your lover
Remember, he can go to Good Year if he wants rubber"

"Just think if all us girls had boobies with fluorination
We could take the cavities out of the whole damn nation
A nibble a day keeps the dentist away"

"Some push 'em up
Some stick 'em out
And some keep 'em flappin' in the breeze
Some tie then down because if they don't
They would hang down to their knees
Just you tease"

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The Search for Roy DuNann

I don't remember the year, but I remember the moment when I first became intensely curious about Roy DuNann. It must have been about 1975, right after I moved to Seattle. I bought a Sonny Rollins LP called <I>Way Out West</I>, took it home, cued it up on my Thorens turntable, dropped the tonearm, and suddenly I was in a room with Rollins and Shelly Manne and Ray Brown. It was a shipping room with records stacked on shelves all around the musicians, but I wouldn't know that until many years later.

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Recording of July 1992: Wagner: Siegfried

<B>WAGNER: <I>Siegfried</I></B>
Reiner Goldberg, Siegfried; Heinz Zednik, Mime; James Morris, Wanderer; Hildegard Behrens, Br&#252;nnhilde; Ekkehard Wlaschiha, Alberich; Kurt Moll, Fafner; Birgitta Svend&#233;n, Erda; Kathleen Battle, Forest Bird; Metropolitan Opera Orchestra, James Levine<BR>
Deutsche Grammophon 429 407-2 (4 CDs only). Cord Garben, Claudia Hamann, prods.; Wolfgang Mitlehner, eng. DDD. TT: 4:10:29

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