Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
ELAC's Andrew Jones Talks Loudspeakers | Stereophile

LATEST ADDITIONS

Steve's Second Blog Entry

This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1. This is paragraph 1.

Continue Reading »

The Tape Project Ships First Title

As we <A HREF="http://www.stereophile.com/news/012907master/">reported</A&gt; last January, <A HREF="http://www.tapeproject.com">The Tape Project</A>, a collaboration among mastering engineers Paul Stubblebine and Michael Romanowski, both of Paul Stubblebine Mastering, and Dan Schmalle of Bottlehead, plans to release 10 master-quality tapes per year. The Tape Project's inaugural outing, available now, is <I>The Number White</I> by jazz vocalist Jaqui Naylor.

Continue Reading »

The Bleys, Part 2: Paul

Speaking of Carla Bley, her ex-husband, Paul Bley, has a new CD, <I>Solo in Mondsee</I> (ECM), and it’s quietly stunning. I’m a bit late with this—the album came out last summer—but then again, it was recorded in 2001, so who’s counting? Paul Bley has been one of the piano giants in jazz for over a half-century. He may be more famous for those he’s introduced to the jazz scene. He led, I think, the first jazz trio that featured Charles Mingus on bass. While house pianist at the Hillcrest Club in Los Angeles in 1958, he hired Ornette Coleman to play with him (when nobody else would); in fact, what became, a few months later, the first Ornette Coleman Quartet started out as the Paul Bley Quintet, minus Bley. Over the years, he’s frequently played with Ornette’s bassist, Charlie Haden, most recently in a night of riveting duets at the Blue Note in New York. (A couple decades ago, the Montreal Jazz Festival held a weeklong celebration in which Haden led a variety of ensembles; all the sessions were eventually released on CD by Verve; the best of the bunch was a trio session with Bley and Paul Motian.)

Continue Reading »
Advertisement
Advertisement
Advertisement
Advertisement