High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Pulsar 121
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

Globes of Desire

I was saddened today to read about the December 22 passing of Ruth Wallis, a singer from the 40's through 60's who specialized in creative naughtiness. Born in Brooklyn (where else?), she sang with Benny Goodman and owned her own record label, but it was her risque tunes like, "The Dinghy Song" ("He had the cutest little dinghy in the Navy") that brought her the most fame and which became the basis for an unlikely 2003 Broadway hit, <I>Boobs! The Musical: The World According to Ruth Wallis</I>. Here are a few classic couplets from the Wallis-penned title tune:

"You've gotta be filled
Two fried eggs will never grab him like grapefruits will
(And they're both breakfast foods)
But listen girls, don't try to fool your lover
Remember, he can go to Good Year if he wants rubber"

"Just think if all us girls had boobies with fluorination
We could take the cavities out of the whole damn nation
A nibble a day keeps the dentist away"

"Some push 'em up
Some stick 'em out
And some keep 'em flappin' in the breeze
Some tie then down because if they don't
They would hang down to their knees
Just you tease"

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The Search for Roy DuNann

I don't remember the year, but I remember the moment when I first became intensely curious about Roy DuNann. It must have been about 1975, right after I moved to Seattle. I bought a Sonny Rollins LP called <I>Way Out West</I>, took it home, cued it up on my Thorens turntable, dropped the tonearm, and suddenly I was in a room with Rollins and Shelly Manne and Ray Brown. It was a shipping room with records stacked on shelves all around the musicians, but I wouldn't know that until many years later.

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Recording of July 1992: Wagner: Siegfried

<B>WAGNER: <I>Siegfried</I></B>
Reiner Goldberg, Siegfried; Heinz Zednik, Mime; James Morris, Wanderer; Hildegard Behrens, Br&#252;nnhilde; Ekkehard Wlaschiha, Alberich; Kurt Moll, Fafner; Birgitta Svend&#233;n, Erda; Kathleen Battle, Forest Bird; Metropolitan Opera Orchestra, James Levine<BR>
Deutsche Grammophon 429 407-2 (4 CDs only). Cord Garben, Claudia Hamann, prods.; Wolfgang Mitlehner, eng. DDD. TT: 4:10:29

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SEAS Introduces High-Sensitivity, Full-Range Driver

The world of loudspeaker aficionados has at one end most of us, who use multi-way box speakers of one kind of another; in the center are the lovers of panels, electrostatic, planar magnetics&mdash;it doesn't matter as much as the fact there is no box&mdash;and at the extreme other end are the lovers of high-sensitivity designs, where massive amounts of art, artifice, and loving care are applied to wrest full-range sound from a single drive-unit. Overcoming the daunting problems of getting a single drive-unit to work from 20Hz to 20kHz is, by those, felt to be outweighed by the benefits of not having a crossover circuit.

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