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Attention Screen is the band that includes <I>Stereophile</I>'s own Bob Reina on piano, Chris Jones on bass, Don Fiorino on various string instruments, and Mark Flynn on drums. (Their recent CD, <I>Live at Merkin Hall</I>, recorded by John Atkinson, is available from <A HREF="http://ssl.blueearth.net/primedia/home.php"><I>Stereophile</I></A&gt;.) They gave a concert at FSI, and although the attendance could have been better&mdash;publicity for the music events at the show was rather sparse&mdash;it was clear that those in the audience were enraptured with Attention Screen's intense, almost entirely improvisational brand of jazz.

At the "Ask the Editors" session on Saturday afternoon, <I>Stereophile</I> editor John Atkinson asked each of us on the panel&mdash;John Marks, Wes Phillips, and myself&mdash;what systems featuring low-priced equipment particularly impressed us at the show. There were actually several such systems that I could have named&mdash;but the one that first came to mind was the system based on the Rogue Cronus tube-based integrated amp ($1750, 55Wpc, includes a phono stage and headphone amplifier, with PSB Alpha B1 speakers ($279/pair). A nice, well-balanced sound, very easy on the ears. Mind you, they had an Oracle turntable as the front end, which might be classified as cheating, but, hey, it's an audio show.

Both examples of the Verity Sarastro IIs ($40,000/pair) that I heard at FSI sounded <I>amazing</I>. I say this with some surprise, since I was never entirely comfortable with the original Sarastro. Go figure, new <I>and</I> improved.

FSI has a very high percentage of good-sounding rooms, compared to most audio shows. True, the smaller hotel-roomed sized rooms above the concourse levels, all had a hooty 150Hz coloration, but that just meant that, when an exhibitor successfully dealt with it&mdash;as did Ken Rasmussen of Neeper&mdash;those rooms <I>really</I> stood out.

There were lots of turntables at the show, but the one that intrigued me the most was the Calibre Mk.101, from Audio Excellence, the Toronto-area dealer, which is making its first foray into the turntable business. The Calibre Mk.101 has a with a marble plinth, 1.5" thick acrylic platter, AC motor with speed regulation, high-quality polished bearing, and looks elegant without being ostentatious. The price of $1999 includes a good-quality arm, with further arm upgrades available. Audio Excellences stated aim in introducing the Calibre Mk.101 is "the best reproduction of records at the lowest price possible&mdash;making turntables we would own."

I've heard demonstrations of Lyngdorf's digital room correction components before, and had been impressed by it, but never as much as at the demo held at this year's FSI. Adrian Low, whose Toronto store, Audio Excellence, is a dealer for Lyngdorf, played a recording of a male voice that was so bloated in the midbass as to be virtually unlistenable. That was with the Lyngdorf room correction bypassed. The sound was totally transformed when the room correction circuitry was engaged: the midbass boom, endemic to the smaller rooms on the Sheraton's upper floors, was gone, and while it was still clear that the performer was too close to the mike, producing the proximity effect that's a well-known consequence of this sort of miking, it sounded much more natural.

dCS is known for its superb-sounding but stratospherically-priced digital source components&mdash;prices in the $50k+ range for a transport/DAC combination. While their new Puccini one-box CD/SACD player won't be a candidate for Budget Component of the Year, its $22,000 price represents low end for dCS. But don't start spending all the money you've saved by buying the Puccini rather than the more expensive dCS offerings: there is a matching external clock component upgrade that will be available in the near future. No price has been determined yet, but you can be sure that it will not be in three figures.