As I Was Saying...
I’ve been off the past several months, writing a book. It’s finished; I’m back. Consider this a catch-up column, touching on some of the new jazz CDs that have roused me the most since summer.
I’ve been off the past several months, writing a book. It’s finished; I’m back. Consider this a catch-up column, touching on some of the new jazz CDs that have roused me the most since summer.
Reader Joe S. from Williamstown, MA writes: "I have no idea whether or not I'm playing quietly compared to the average enthusiast or if I am waking the dead. Nobody ever mentions it." He wants to know: Typically, how loud do you listen to your music?
Seriously, it's almost as if I haven't listened to any music at the Rocky Mountain Audio Fest. I just walk from room to room, running into people in the halls. These two weren't even exhibiting. They were simply here to have a little fun.
Is this not the coolest-looking preamp you've ever seen in your life?
And here is Walter Swanbon of Fidelis AV, importer for Harbeth and Gradient loudspeakers. Here you can get a better sense of the size of the M40.1 loudspeakers. To Walter's left is the newest member of the Gradient family, the Laura ($3995/pair). Intended for use in conjunction with the Helsinki or as a stereo pair, the Laura employs a coaxial drive unit and is designed to be positioned in close proximity to the front wall of your listening room. It's pretty, too.
Standing beside my friend, the Gradient Helsinki, is the Harbeth M40.1 ($12,995/pair), recently reviewed by Art Dudley. It's actually larger than it appears in this photo. I love its old-school wide-baffle design.
See this little guy? It's the Gradient Helsinki ($8000/pair). I'm a big fan of this weird-ass speaker. Rather than placing its drive-units within a cabinet, the drive-units are laid bare, free for the world to see, mounted onto the speaker's narrow body. Why? Free love. Free love! Cabinet resonances are eliminated. The Helsinki's dipole-radiation woofer projects sound from side to side, canceling out top-to-bottom sound waves and minimizing deleterious room reflections.
"But what I really want you to listen to is this."
Headroom's Tyll Hertsens and Ivy Scull. Tyll is the president and CEO, and Ivy is the VP of sales and marketing. These two know headphones and they know headphone amplifiers and they know which headphones to use with which headphone amplifiers. Beyond all that, they're really nice people to be around.
I literally breathed a sigh of relief when I entered this room. Not that anything was wrong with the exceptional sound of the vast majority of rooms I visited. But of all the systems I auditioned, this one felt most like a safe haven. It was like coming home.